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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

TEE "getaway" © Tamiym Cader
Artist to Watch, Features, Interviews, MusicFebruary 23, 2024<February 23, 2024

“Hold your ground before it swallows you whole”: UK Artist-to-Watch TEE Is Unpacking Emotion, One Song at a Time

flor's Zach Grace (vocals, guitar), Dylan Bauld (bass), and Kyle Hill (drums) © Paige MacDonald
Columns, Music, Today's SongFebruary 22, 2024<February 22, 2024

“How did you get my world to spin again?”: flor Shine on “Same Color as the Sun,” a Radiant Anthem of Love & Light

The Staves "I'll Never Leave You Alone" © Harvey Pearson
Columns, Music, Today's SongFebruary 21, 2024<February 21, 2024

The Staves’ “I’ll Never Leave You Alone” Is a Beautiful Folk Song of Identity, Acceptance, and the Multitudes Within Us

Varsity © Clare Byrne
Features, Interviews, Music, Track-by-TrackFebruary 21, 2024<February 21, 2024

Track-by-Track: Varsity Measure a Year in the Life With ‘Souvenirs,’ Their Sweeping & Soaring 4th Album

Hans Williams © Hank Miller
Debut, Features, Interviews, MusicFebruary 20, 2024<February 20, 2024

“Under my skin is where you hide”: Hans Williams on Overcoming Imposter Syndrome, His Debut EP, & Folk Music’s Renaissance

Georgia Gets By © Nicola Sandford
Columns, Music, Today's SongFebruary 19, 2024<February 19, 2024

“When All You Can Manage Is a Sigh”: The Achingly Raw Fragility of Georgia Gets By

Victoria Victoria © 2024
Columns, Music, Today's SongFebruary 16, 2024<February 16, 2024

Today’s Song: Victoria Victoria Climbs “Jacob’s Ladder” in a Warm, Intimate Alt-Folk Dream

Friko © Pooneh Ghana
Debut, Features, Interviews, Music, Track-by-TrackFebruary 16, 2024<February 16, 2024

Cathartic, Dynamic, & Joyful: Chicago’s Friko Debut With a Visceral Fire in ‘Where we’ve been, Where we go from here’

Refreshingly bold, irresistibly buoyant, and unflinchingly honest: Jordan Mackampa © Aidan Harmitt-Williams
Features, Interviews, Music, Track-by-TrackFebruary 16, 2024<February 17, 2024

‘WELCOME HOME, KID!’: Jordan Mackampa Is Authentic & Fearless in Soul-Soaked Sophomore LP

Hipsy Gap © Lauren Redman
Columns, Music, Today's SongFebruary 15, 2024<February 15, 2024

“Watching as your words unwind”: Brooklyn’s Hipsy Gap “Fantasize” With an Aching Indie Rock Reverie

Sam Windley © McLean Stephenson
Debut, Features, Interviews, MusicFebruary 15, 2024<February 15, 2024

“Telling a story half-drunk and through song”: Sam Windley Is ‘Pink and Nervous’ on Her Dazzling Debut EP

Hunter Oliveri © 2024
Debut, Interviews, MusicFebruary 14, 2024<February 14, 2024

He’s “Spiraling Out”: 17-Year-Old Hunter Oliveri Is Blazing His Own Angsty Grunge Trail

navel grazr © Rita Iovine
Music, Music Videos, PremieresFebruary 14, 2024<February 14, 2024

Premiere: navel grazr’s Cosmic Indie Rock Reverie “Sun Doesn’t Rise” Is a Song of Sonic & Emotional Fuzz

House of Harm © Eric Bones
Features, Interviews, Music, Track-by-TrackFebruary 13, 2024<February 13, 2024

Intense, Dreamy, & Nostalgic: House of Harm’s ‘Playground’ Is a Dramatic Post-Punk Fun House

Brigitte Calls Me Baby © Scarlet Page
Debut, Features, Interviews, Music, Track-by-TrackFebruary 13, 2024<February 20, 2024

“It’s about the fragility of life”: Brigitte Calls Me Baby’s Honest, Electric, & Vulnerable Debut EP ‘This House is Made of Corners’

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Recent Posts

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