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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Sofía Valdés © Olivia Parker and Parker Hao
Features, Interviews, Music, Track-by-TrackSeptember 14, 2023<September 14, 2023

Feature: Sofía Valdés Dives into ‘Silvia,’ Her Intimate, Vulnerable, & Soul-Stirring Seduction

Ava Della Pietra © 2023
Music, Music Videos, PremieresSeptember 14, 2023<September 14, 2023

Premiere: NYC’s Ava Della Pietra Steps into a Bold New Era with “ego,” an Unapologetic Anthem of Empowerment

Winten © Matthew Shaw
Debut, Features, Interviews, Music, Track-by-TrackSeptember 13, 2023<September 13, 2023

“A Love Letter to Myself”: Melbourne’s Winten Dives into Her Breathtaking Debut Album ‘Waving to My Girl’

Scotch Mist © Carina Allen
Features, Interviews, Music, Track-by-TrackSeptember 13, 2023<September 13, 2023

Feature: Scotch Mist’s ‘Cabo Blanco’ Is a Sweaty & Seductive Fever Dream of 21st Century Funk

Buxton © Karolina Cantu
Music, PremieresSeptember 13, 2023<September 13, 2023

Premiere: Buxton’s “Mane of Gold” Shines With the Weight, Warmth, & Western Wonder of ‘A Family Light’

Cry Baby © Gabe Ruckus
Artist to Watch, Columns, Music, Today's SongSeptember 13, 2023<September 13, 2023

Artist to Watch: Cry Baby Usher in a New Era on “Pretend,” a Soul-Stirring Eruption of Noughties Nostalgia & Modern Charm

Ethansroom © Noah Tidmore
Music, PremieresSeptember 12, 2023<September 12, 2023

Premiere: ethansroom Learns to Let Go in “Laughing Out Loud,” a Dusty & Cinematic Indie Rock Reverie

Wilderado © Laura Webster
Columns, Music, Today's SongSeptember 12, 2023<September 12, 2023

Today’s Song: Wilderado Paint a Warm Western Landscape Somewhere “In Between” Right Here and Now

Looms © 2023
Music, PremieresSeptember 11, 2023<September 11, 2023

Premiere: Looms’ New Single “The Water” Depicts the Heavy Weight of a Sinking Friendship

Boyish © Stolen Besos (Maya)
Features, Interviews, Music, Track-by-TrackSeptember 8, 2023<September 8, 2023

Feature: Boyish Turn Teenage Trauma into Soul-Stirring Sound on ‘Little Demon Boy’

PRONOUN © Merissa Blitz
Columns, Music, Today's SongSeptember 8, 2023<September 8, 2023

THWACK! PRONOUN Takes the Hits in “SLAP ME IN THE FACE,” Reckoning with a Big, Ugly World

Pearl - Bobby Bazini
Features, Interviews, Music, Track-by-TrackSeptember 7, 2023<September 7, 2023

Track-by-Track: Bobby Bazini Breaks Down ‘Pearl,’ His Cinematic, Cathartic, & Soul-Stirring Fifth LP

Barbaro © Wolfskull Creative
Columns, Music, Today's SongSeptember 7, 2023<September 7, 2023

Today’s Song: The Beauty & the Aching of Barbaro’s Evergreen “Gardens”

Anna Rose "Last Girl of the Rodeo" © Alexa King
Features, Interviews, Music, Track-by-TrackSeptember 6, 2023<September 8, 2023

“Truth in Costume”: Anna Rose Is Unleashed & Empowered on ‘Last Girl of the Rodeo,’ Her Tragic, Soul-Stirring Reckoning

Tom Speight © Scarlet Page
Features, Interviews, Music, Track-by-TrackSeptember 6, 2023<September 14, 2023

‘Love & Light’: Tom Speight Goes Track-by-Track Through His Breathtakingly Beautiful Third Album

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