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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Sophie Holohan © Ira Mapho
Features, Interviews, MusicNovember 9, 2023<November 9, 2023

Interview: Sophie Holohan’s Self-Deprecating “Till I Die” Is an Anthem for Recovering Perfectionists Everywhere

Roger Eno © Cecily Eno
Features, Interviews, Music, Track-by-TrackNovember 9, 2023<December 6, 2023

Musical Decomposition: Roger Eno’s Breathtakingly Beautiful ‘the skies, they shift like chords’

Joan and the Giants © Isabelle Haubrich
Columns, Music, Today's SongNovember 9, 2023<November 9, 2023

Don’t Make Me “Beg”: Perth’s Joan & the Giants Ache with Unrequited Love in a Bold, Breathtaking Anthem

Close Talker "Papier-mâché" © Nicole Plett
Columns, Music, Today's SongNovember 8, 2023<November 8, 2023

Today’s Song: Saskatoon’s Close Talker Stun With “Papier-mâché,” a Cathartic & Charged Indie Rock Reckoning

Are You There, Boy? - Beharie
Debut, Features, Interviews, Music, Track-by-TrackNovember 8, 2023<November 8, 2023

Adventurous, Vulnerable, Playful: Beharie Shares His Many Sides on Soulful & Dreamy Debut Album, ‘Are You There, Boy?’

Trying to define newpunk - Dancing the Conga
Debut, Features, Interviews, Music, Track-by-TrackNovember 8, 2023<November 8, 2023

Cozy, Messy, & Loud: Oslo’s Dancing the Conga Debut with ‘Trying to define newpunk’, an Exhilarating Musical Fever Dream

Atka © Anh Le
Debut, Features, Interviews, Music, Track-by-TrackNovember 7, 2023<November 7, 2023

Perception & Paranoia: Atka’s Haunting Debut EP ‘The Eye Against the Ashen Sky’ Exposes Our Innermost Depths & Dichotomies

Maiden King's Jake Hawrylak © Cory DeWald
Music, PremieresNovember 7, 2023<November 7, 2023

Premiere: Maiden King’s Smoldering “One Days” Is a Soul-Stirring Journey into Life’s Dreamy Depths

HAHA © Yrene Ramirez
Debut, Music, PremieresNovember 7, 2023<November 7, 2023

Premiere: HAHA Invite Us to Dance the Night Away With “No Promises,” an Intimate Indie Pop Seduction

Bear's Den © Bennie Curnow
Columns, Music, Today's SongNovember 7, 2023<November 7, 2023

Today’s Song: The Beautiful, Bittersweet Weight of Bear’s Den’s “Loneliness”

Yam Haus © Casey Pflipsen
Features, Interviews, Music, Track-by-TrackNovember 6, 2023<November 6, 2023

“I’m a proud little hamster on my wheel”: Getting ‘Stupid and Famous’ With Pop Rock Trio Yam Haus

denn. © Emma Pilkington Mead
Columns, Music, Today's SongNovember 6, 2023<December 11, 2023

Today’s Song: Heartache, Longing, & the Lovesick Ache of denn.’s “it’s happening?”

The Vaughns © Brian Hughes
Features, Interviews, Music, Track-by-TrackNovember 3, 2023<November 3, 2023

Track-by-Track: With ‘Egg Everything,’ The Vaughns Cook Up an Inventive, Impassioned, & Achingly Emotive Sophomore Album

Victoria Bigelow © Eric Daniels
Features, Interviews, Music, Track-by-TrackNovember 3, 2023<November 3, 2023

Nostalgic, Dusky, & Contemplative: Victoria Bigelow’s Beautifully Brutal ‘Songs for No One Vol. 1’

Florida Girl - Lydia Luce
Features, Interviews, Music, Track-by-TrackNovember 2, 2023<November 2, 2023

Colorful, Ambient, & Orange: Lydia Luce Embraces Her Inner ‘Florida Girl’ on Intimate & Vulnerable Third LP

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Recent Posts

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