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Robin Fulton

Robin Fulton

An all-round music nerd, Robin is always searching for the next song. With a background in production, PR and journalism, he is constantly surrounded by music of all forms and is rarely found without his headphones in, lost in the cadence. He currently freelances as a music PR and creative writer and spends his spare time riding his bike, and enjoying the colourful spoils of the city he calls home, Brighton, UK.

Movement EP - CIEL
Debut, Music, ReviewsSeptember 24, 2020<September 23, 2020

Review: Brighton’s CIEL Consider Interpersonal Connections on Debut EP ‘Movement’

The Hardest Part - Joe Ramsey
Columns, Music, Today's SongMay 20, 2020<May 19, 2020

Today’s Song: Joe Ramsey Embraces “The Hardest Part” in His Latest Single

Nia Whyn © Ant Adams
Columns, Music, Today's SongApril 21, 2020<April 21, 2020

Today’s Song: Nia Wyn Parries Negativity on the Soulfully Empowering “Who Asked You”

Goldenbloom music 2020
Columns, Music, Today's SongJanuary 14, 2020<January 9, 2020

Today’s Song: London’s goldenbloom Taste the Sour Side of “LOVE”

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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