• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Adam Davidson

Adam Davidson

Genesis Owusu "Death Cult Zombie" © Isaac Brown
Columns, Music, Today's SongNovember 10, 2025<November 10, 2025

Genesis Owusu Takes a Spiky, Punky Swipe at the Alt-Right on “DEATH CULT ZOMBIE”

Deftones 'private music' © Jimmy Fontaine
Music, ReviewsSeptember 26, 2025<September 26, 2025

Deftones Make a Euphoric Return and Begin a New Era with ‘Private Music,’ Their First Album in 5 Years

Shabason, Krgovich, Tenniscoats © Rieko Seizo
Columns, Music, Today's SongAugust 14, 2025<August 18, 2025

Shabason, Krgovich, Tenniscoats: An Unlikely Spontaneous Collective Evoke Crisp Spring Days on “Our Detour”

Dane Baker © 2025
Columns, Music, Today's SongAugust 1, 2025<August 1, 2025

“Growth, Affirmation, & Fulfillment”: Dane Baker’s “Ascension” Urges a Look Inward to Find Happiness

Wolf Alice "Bloom Baby Bloom" © Rachel Fleminger Hudson
Columns, Music, Today's SongMay 28, 2025<May 28, 2025

Wolf Alice Triumphantly Return with the Superbly Defiant “Bloom Baby Bloom”

The World's Fair EP - Swervedriver
Music, ReviewsMay 5, 2025<May 5, 2025

EP Review: Swervedriver Make a Beautiful and Moody Return with ‘The World’s Fair’

The Murder Capital © Hugo Comte
MusicApril 28, 2025<April 27, 2025

Today’s Song: Boredom Turns to Yearning for Absent Love on The Murder Capital’s “A Distant Life”

billy woods © Backwoodz Studioz
Columns, Music, Today's SongSeptember 2, 2023<September 2, 2023

Today’s Song: Billy Woods Is Alone in the Company of Others on “FaceTime” with Kenny Segal & Samuel T. Herring

Queens of the Stone Age © 2023
Columns, Music, Today's SongAugust 17, 2023<August 17, 2023

Today’s Song: “Paper Machete” Offers Acerbic Contempt in Three Minutes from Queens of the Stone Age

Blur © Reuben Bastienne-Lewis
Concerts, Music, ReviewsAugust 7, 2023<August 7, 2023

Live Review: Blur at Wembley Stadium, a Weekend Decades in the Making

LA Priest © Matilda Hill-Jenkins
Features, Interviews, MusicMay 10, 2023<May 10, 2023

‘Fase Luna’: An Album Made in the Jungle by LA Priest, Telling Stories of Paradise, Snorkeling, & Malevolent Spirits

The Mars Volta © Fat Bob
Music, ReviewsNovember 21, 2022<November 21, 2022

Review: Revitalised with a Fresh Start, The Mars Volta Clean the Slate with First Album in a Decade

Earl Sweatshirt © Lindsay Ellary
Music, ReviewsFebruary 24, 2022<February 24, 2022

Reflection and Evolution: Earl Sweatshirt’s ‘SICK!’ Looks to the Future by Taking Stock of the Past

BADBADNOTGOOD © Sean Berrigan
Columns, Music, Today's SongFebruary 17, 2022<February 17, 2022

Today’s Song: BADBADNOTGOOD Remind Us Why We Love Them on “Beside April”

MIKE © Akhira Montague
Columns, Music, ReviewsOctober 11, 2021<October 5, 2021

Album review: A Dark Niche of Bitesize Philosophies, Mike’s Disco! Asks For Nothing But Gives So Much

Posts pagination
1 2

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services