• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Adam Davidson

Adam Davidson

The Night Green Side of It - R.A.P. Ferreira & Kenny Segal
Music, ReviewsMarch 2, 2026<March 2, 2026

‘The Night Green Side of It’: R.A.P. Ferreira and Kenny Segal Strike Gold Once Again on Another High-Concept Hip-Hop Collaboration

Genesis Owusu "Death Cult Zombie" © Isaac Brown
Columns, Music, Today's SongNovember 10, 2025<November 10, 2025

Genesis Owusu Takes a Spiky, Punky Swipe at the Alt-Right on “DEATH CULT ZOMBIE”

Deftones 'private music' © Jimmy Fontaine
Music, ReviewsSeptember 26, 2025<September 26, 2025

Deftones Make a Euphoric Return and Begin a New Era with ‘Private Music,’ Their First Album in 5 Years

Shabason, Krgovich, Tenniscoats © Rieko Seizo
Columns, Music, Today's SongAugust 14, 2025<August 18, 2025

Shabason, Krgovich, Tenniscoats: An Unlikely Spontaneous Collective Evoke Crisp Spring Days on “Our Detour”

Dane Baker © 2025
Columns, Music, Today's SongAugust 1, 2025<August 1, 2025

“Growth, Affirmation, & Fulfillment”: Dane Baker’s “Ascension” Urges a Look Inward to Find Happiness

Wolf Alice "Bloom Baby Bloom" © Rachel Fleminger Hudson
Columns, Music, Today's SongMay 28, 2025<May 28, 2025

Wolf Alice Triumphantly Return with the Superbly Defiant “Bloom Baby Bloom”

The World's Fair EP - Swervedriver
Music, ReviewsMay 5, 2025<May 5, 2025

EP Review: Swervedriver Make a Beautiful and Moody Return with ‘The World’s Fair’

The Murder Capital © Hugo Comte
MusicApril 28, 2025<April 27, 2025

Today’s Song: Boredom Turns to Yearning for Absent Love on The Murder Capital’s “A Distant Life”

billy woods © Backwoodz Studioz
Columns, Music, Today's SongSeptember 2, 2023<September 2, 2023

Today’s Song: Billy Woods Is Alone in the Company of Others on “FaceTime” with Kenny Segal & Samuel T. Herring

Queens of the Stone Age © 2023
Columns, Music, Today's SongAugust 17, 2023<August 17, 2023

Today’s Song: “Paper Machete” Offers Acerbic Contempt in Three Minutes from Queens of the Stone Age

Blur © Reuben Bastienne-Lewis
Concerts, Music, ReviewsAugust 7, 2023<August 7, 2023

Live Review: Blur at Wembley Stadium, a Weekend Decades in the Making

LA Priest © Matilda Hill-Jenkins
Features, Interviews, MusicMay 10, 2023<May 10, 2023

‘Fase Luna’: An Album Made in the Jungle by LA Priest, Telling Stories of Paradise, Snorkeling, & Malevolent Spirits

The Mars Volta © Fat Bob
Music, ReviewsNovember 21, 2022<November 21, 2022

Review: Revitalised with a Fresh Start, The Mars Volta Clean the Slate with First Album in a Decade

Earl Sweatshirt © Lindsay Ellary
Music, ReviewsFebruary 24, 2022<February 24, 2022

Reflection and Evolution: Earl Sweatshirt’s ‘SICK!’ Looks to the Future by Taking Stock of the Past

BADBADNOTGOOD © Sean Berrigan
Columns, Music, Today's SongFebruary 17, 2022<February 17, 2022

Today’s Song: BADBADNOTGOOD Remind Us Why We Love Them on “Beside April”

Posts pagination
1 2

Recent Posts

  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
  • “I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love” May 11, 2026
  • “I’m Coming Out the Gate Completely Honest”: Jessie Mazin Transforms Chaos into Connection on Debut EP ‘untitled.jpeg’ May 11, 2026
  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 11, 2026
  • “I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ May 11, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services