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Christopher Snyder

Christopher Snyder

Lindsay Lou © Dana Kalachnik
Features, Interviews, MusicAugust 25, 2023<August 25, 2023

Interview: Lindsay Lou, an Artist Who Pours Her Heart into Her Music

My Morning Jacket at The Peach Music Festival 2023 © AJ Kinney
Festival, Music, ReviewsAugust 14, 2023<August 14, 2023

Review: The Peach Music Festival ’23 Brings Joy to Thousands at Montage Mountain!

Sierra Ferrell © Jay Strausser
Features, Interviews, MusicJune 30, 2023<June 16, 2023

A Star On The Rise: Sierra Ferrell, From Busking in West Virginia to the Spotlight

Peach Music Festival 2023
Festival, Music, PreviewsJune 16, 2023<June 16, 2023

Preview: The 2023 Peach Music Festival Brings Music on the Mountain

The Travelin' McCourys © Taylor Lewis Photography
Festival, Music, ReviewsJune 6, 2023<June 6, 2023

Review: DelFest 2023 Brings Music to Fill the Cumberland Air

Delfest 2023
Festival, Music, PreviewsMay 17, 2023<May 17, 2023

Preview: DelFest 2023 Features Some of the Brightest Stars in Bluegrass Today

Karina Rykman © Steph Port
Features, Interviews, MusicSeptember 5, 2022<September 5, 2022

Bringing the Bass: An Interview with Karina Rykman

The Peach Music Festival 2022
Festival, Music, ReviewsJune 23, 2022<June 23, 2022

Preview: The Peach Music Festival Returns to Scranton for Its 10th Anniversary

Recent Posts

  • “Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song April 22, 2026
  • “For One Night Only, Bring Them to Italy”: A Conversation with Il Volo April 22, 2026
  • “Eat Your Heart Out”: A Vivisection of SKORTS’ Unrelenting Debut Album ‘Incompletement’ April 22, 2026
  • “Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner April 22, 2026
  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom April 21, 2026
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Our Take
    • Debuts
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    • Live
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
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