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Danielle Evans

Danielle Evans

Danielle is an Atlanta native with a love for electronic music, R&B, and Chick-fil-A biscuits. While ATL remains her first love, she spends her summer weekends making friends at music festivals and live shows along the east coast.

Maple & Beech - RUNDAWDAW - Cover Art
Music, Music Videos, PremieresApril 28, 2017<April 28, 2017

Video Premiere: Maple & Beech Defy Monotony in “Wedding Season”

Time - Goss
Columns, Music, Today's SongMarch 8, 2017<March 6, 2017

Today’s Song: Goss Trades Love for Anger in “Time”

Luxxury © Eli Green
Features, Music, PremieresFebruary 17, 2017<February 21, 2017

Exclusive Premiere: Daft Punk Meets Disco on Luxxury’s “Feel the Night”

Animal Eyes © Joshua Veldstra
Features, Music, Music Videos, PremieresFebruary 9, 2017<February 9, 2017

Exclusive Premiere: Animal Eyes Takes a Psychedelic Trip in “Guava”

Shy Girls © Jaclyn Campanaro
Columns, Music, Today's SongJanuary 25, 2017<January 24, 2017

Today’s Song: Shy Girls Gains Perspective in the Midst of Loss on “Say You Will”

Lido © 2016
Columns, Music, Today's SongJanuary 18, 2017<January 18, 2017

Today’s Song: Lido’s “Falling Down” Invites Us to Share the Heartbreak of a Young Lover

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Our Take
    • Debuts
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    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
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