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Diego Morales

Diego Morales

Diego Morales writes all sorts of things: documentary podcasts, tv pilots that don’t get picked up, a million press releases for indie albums and one incomplete novel that he promises to finish before turning forty. The constant through all that has always been a knack for explaining the world through songs.

Diego Morales
Columns, Meet Our WritersJanuary 6, 2024<February 4, 2024

Meet Our Writers: Mexico City’s Diego Morales!

Moonatic © Cons Kaye
Features, Interviews, MusicApril 26, 2023<April 30, 2023

Moonatic’s ‘Music for Wandering’: A Brilliant Album That Isn’t Worried About Losing Our Attention

The Go Rounds © 2021
Columns, Interviews, Music, Today's SongAugust 31, 2021<August 31, 2021

Today’s Song: The Go Rounds’ “Harpees,” a Flawless Chill Indie Single on Their Journey to Fulfillment

Low Roar © Konrad Cwik
Columns, Music, Today's SongJuly 19, 2021<July 19, 2021

Today’s Song: Low Roar Takes on a Journey to Outer & Inner Space with “Hummingbird”

Mabe Fratti © Andrea Villalón
Features, Interviews, MusicJune 30, 2021<June 29, 2021

Interview: Mabe Fratti’s New Experimental Indie Album Is a Profound Search for Human Connection

Jesse Beaman © Kate Meyer
Features, Interviews, MusicApril 30, 2021<April 30, 2021

Jesse Beaman’s New Album ‘Mira’ Is a Sonic Monument to Being Patient & Trusting the Process

Satomimagae © Mana Hirak
Columns, Music, Today's SongApril 12, 2021<April 9, 2021

Today’s Song: Satomimagae Combines Dark Folk & Ambient Atmospheres in “Houkou”

Grey Reverend
Features, MusicMarch 4, 2021<March 3, 2021

Grey Reverend: The Fate of a Man Who Turned Jazz into Folk

Music, ReviewsFebruary 2, 2021<February 2, 2021

Review: A Stroll Through the Strange and Beautiful Universe of Kevin Morby’s ‘Sundowner’

Beans on Toast © Aaron Parsons
Features, Interviews, MusicNovember 27, 2020<November 27, 2020

Interview with Beans on Toast: Children’s Songs, Artificial Intelligence, & the End of the World

Jackson C. Frank album art a
Features, Music, ReviewsOctober 26, 2020<October 26, 2020

Feature: Deciphering the Ghost of Jackson C. Frank

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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