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Diego Morales

Diego Morales

Diego Morales writes all sorts of things: documentary podcasts, tv pilots that don’t get picked up, a million press releases for indie albums and one incomplete novel that he promises to finish before turning forty. The constant through all that has always been a knack for explaining the world through songs.

Diego Morales
Columns, Meet Our WritersJanuary 6, 2024<February 4, 2024

Meet Our Writers: Mexico City’s Diego Morales!

Moonatic © Cons Kaye
Features, Interviews, MusicApril 26, 2023<April 30, 2023

Moonatic’s ‘Music for Wandering’: A Brilliant Album That Isn’t Worried About Losing Our Attention

The Go Rounds © 2021
Columns, Interviews, Music, Today's SongAugust 31, 2021<August 31, 2021

Today’s Song: The Go Rounds’ “Harpees,” a Flawless Chill Indie Single on Their Journey to Fulfillment

Low Roar © Konrad Cwik
Columns, Music, Today's SongJuly 19, 2021<July 19, 2021

Today’s Song: Low Roar Takes on a Journey to Outer & Inner Space with “Hummingbird”

Mabe Fratti © Andrea Villalón
Features, Interviews, MusicJune 30, 2021<June 29, 2021

Interview: Mabe Fratti’s New Experimental Indie Album Is a Profound Search for Human Connection

Jesse Beaman © Kate Meyer
Features, Interviews, MusicApril 30, 2021<April 30, 2021

Jesse Beaman’s New Album ‘Mira’ Is a Sonic Monument to Being Patient & Trusting the Process

Satomimagae © Mana Hirak
Columns, Music, Today's SongApril 12, 2021<April 9, 2021

Today’s Song: Satomimagae Combines Dark Folk & Ambient Atmospheres in “Houkou”

Grey Reverend
Features, MusicMarch 4, 2021<March 3, 2021

Grey Reverend: The Fate of a Man Who Turned Jazz into Folk

Music, ReviewsFebruary 2, 2021<February 2, 2021

Review: A Stroll Through the Strange and Beautiful Universe of Kevin Morby’s ‘Sundowner’

Beans on Toast © Aaron Parsons
Features, Interviews, MusicNovember 27, 2020<November 27, 2020

Interview with Beans on Toast: Children’s Songs, Artificial Intelligence, & the End of the World

Jackson C. Frank album art a
Features, Music, ReviewsOctober 26, 2020<October 26, 2020

Feature: Deciphering the Ghost of Jackson C. Frank

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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