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Emily Frances Algar

Emily Frances Algar

Walking Wounded - Jill Andrews
Music, PremieresFebruary 4, 2021<February 3, 2021

Premiere: Jill Andrews Takes Us on a Journey Through the Dark with Her New Song “Walking Wounded”

Lenachka © 2021
Interviews, MusicFebruary 2, 2021<February 2, 2021

“It’s something I did not want, but it is what I needed”: Love & Loss in the Time of Pandemic with Lenachka

Taylor Swift 'evermore' © Beth Garrabrant
Editorials, MusicJanuary 12, 2021<March 2, 2025

Flipping the Switch: Will Taylor Swift’s Battle for Her Master Recordings Change the Music Industry for the Better?

On My Own - Lera Lynn © Alysse Gafkjen 8
Music, Our Take, ReviewsDecember 22, 2020<December 21, 2020

Our Take: Lera Lynn Settles into Herself in ‘On My Own’ & Finds Forgiveness In-Between the Bars

honey ep - Artemis Orion
Debut, Music, PremieresNovember 20, 2020<November 20, 2020

Premiere: Artemis Orion’s Dark, Dreamy & Escapist Debut EP ‘Honey’

All Too Well - Taylor Swift
Columns, Music, Nostalgia TracksOctober 29, 2020<October 28, 2020

Nostalgia Tracks: Reflections on Taylor Swift’s “All Too Well,” Then and Now

FLETCHER © The S(ex) Tapes
Features, Music, Reviews, Track-by-TrackOctober 5, 2020<May 29, 2024

Feature: FLETCHER’s ‘The S(ex) Tapes’ and the Seven Stages of Grief

Features, Interviews, MusicSeptember 23, 2020<March 2, 2025

Where We All Go to Dance: Community, Connection, & Music with Saxophonist Jess Gillam

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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