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Frankie Rose

Frankie Rose

Frankie is particularly fascinated by the connections that songs can form, whether it's relatable lyrics or the personal associations a sound conjures up.

Bright Eyes © Danny Cohen
Features, Interviews, MusicOctober 2, 2020<December 22, 2020

Forming Emotion Through Atmosphere: An Interview with Bright Eyes

Nicolas Michaux © Alessandro Bertoncini
Music, ReviewsSeptember 25, 2020<September 25, 2020

Nicolas Michaux’s ‘Amour Colère’ Is a Summing Up of Life in All Its Varied Ways

Flora Hibberd ©
Music, PremieresSeptember 24, 2020<September 24, 2020

EP Premiere: Flora Hibberd’s ‘Archipelago’ Intertwines Love with Ghostly Romanticised Landscapes

Fenne Lily © Nicole Loucaides
Features, Interviews, MusicSeptember 18, 2020<September 18, 2020

Questioning Loneliness & Transition: A Conversation with Fenne Lily

Bright Eyes
Music, ReviewsSeptember 1, 2020<September 1, 2020

‘Down in the Weeds, Where the World Once Was’ Is Just Bright Eyes Doing What They Do Best

The Blam Blams © Anana Kaye
Debut, Features, Music, Premieres, ReviewsAugust 26, 2020<August 26, 2020

Album Premiere: The Blam Blams Embrace Theatricality, Excessive Rock, & Storytelling with Debut Record ‘Opening Night’

TAXI 404
Columns, Debut, Music, Today's SongAugust 19, 2020<August 19, 2020

Today’s Song: The Poetry within the Dreaminess & Simplicity of Taxi 404’s “2047”

Anachnid © Musique Nomade
Features, Interviews, MusicAugust 12, 2020<August 12, 2020

Feature: The Personal Regeneration and Cultural Preservation of Anachnid’s ‘Dreamwaver’

Ski Team © Savanna Ruedy
Music, PremieresAugust 11, 2020<May 28, 2024

Premiere: Ski Team Draws Similarities Between Sports & Romance with “Knicks Suck”

Luna Li © Halle Hirota
Columns, Music, Today's SongAugust 1, 2020<August 1, 2020

Today’s Song: The Multi-Instrumentalist Magic of Luna Li’s “Afterglow”

Skullcrusher © Silken Weinberg
Debut, Features, Interviews, MusicJuly 24, 2020<July 29, 2020

Duality, Horror, and Creative Solitude: An Interview with Skullcrusher

Willows
Features, Interviews, MusicJuly 13, 2020<July 13, 2020

Language, Musical Projects, and Métis Culture: An interview with Geneviève Toupin

Les Hay Babies © Étienne Barry
Music, ReviewsJuly 6, 2020<September 24, 2022

Review: The Fictional ’60s Nostalgia of Les Hay Babies’ ‘Boîte aux Lettres’

Dua Saleh © Izzy Commers
Columns, Music, Today's SongJune 22, 2020<June 22, 2020

Today’s Song: The Brutal Realism of Dua Saleh’s “Body Cast”

Hinds © Keane Shaw
Features, Interviews, MusicJune 15, 2020<June 14, 2020

Positivity, Evolution, and Being Yourself: An Interview with Hinds

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
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  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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