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Isabella Le

Isabella Le

Isabella Le (she/her) is a Vietnamese-American writer and photographer, hailing from the heart of sunny Southern California. When she is not writing about or photographing her world, you can find her perusing the bins of her local record shops or doing tarot and natal chart readings (that is, during the rare occasion she isn’t at home reading her latest literary find or watching obscure documentaries on YouTube). She’s also an Aquarius, if that means anything at all.

The Howlers © Hattie Neate
Columns, Music, Today's SongAugust 26, 2022<August 26, 2022

Today’s Song: The Howlers Unapologetically Have “Nothing to Lose” in Their Soaring New Single

Launder © Cameron McCool
Debut, Features, Interviews, MusicAugust 4, 2022<August 4, 2022

Bewitching, Elaborate, and Nostalgic: Diving into ‘Happening’ with Launder

Launder © Cameron McCool
Columns, Music, Today's SongJuly 14, 2022<August 4, 2022

Today’s Song: “Intake” a Selcouth, Fresh Breath of Air in Launder’s New Single

Joji © Forrest Grenfell
Columns, Music, Today's SongJune 27, 2022<February 3, 2023

Today’s Song: Joji’s Transparent Contemplation of Vacant and Ill-Fated Love in “Glimpse of Us”

Laufey © Gemma Warren
Columns, Music, Today's SongJune 17, 2022<June 17, 2022

Today’s Song: Wistful, Hopeless Romanticism & Jazz Revival in Laufey’s “Fragile”

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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