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Isabella Le

Isabella Le

Isabella Le (she/her) is a Vietnamese-American writer and photographer, hailing from the heart of sunny Southern California. When she is not writing about or photographing her world, you can find her perusing the bins of her local record shops or doing tarot and natal chart readings (that is, during the rare occasion she isn’t at home reading her latest literary find or watching obscure documentaries on YouTube). She’s also an Aquarius, if that means anything at all.

SEVENTEEN © PLEDIS Entertainment
Concerts, Music, ReviewsAugust 31, 2022<August 31, 2022

Live Review: Rocking with SEVENTEEN at ‘BE THE SUN’ in Los Angeles

The Howlers © Hattie Neate
Columns, Music, Today's SongAugust 26, 2022<August 26, 2022

Today’s Song: The Howlers Unapologetically Have “Nothing to Lose” in Their Soaring New Single

Launder © Cameron McCool
Debut, Features, Interviews, MusicAugust 4, 2022<August 4, 2022

Bewitching, Elaborate, and Nostalgic: Diving into ‘Happening’ with Launder

Launder © Cameron McCool
Columns, Music, Today's SongJuly 14, 2022<August 4, 2022

Today’s Song: “Intake” a Selcouth, Fresh Breath of Air in Launder’s New Single

Joji © Forrest Grenfell
Columns, Music, Today's SongJune 27, 2022<February 3, 2023

Today’s Song: Joji’s Transparent Contemplation of Vacant and Ill-Fated Love in “Glimpse of Us”

Laufey © Gemma Warren
Columns, Music, Today's SongJune 17, 2022<June 17, 2022

Today’s Song: Wistful, Hopeless Romanticism & Jazz Revival in Laufey’s “Fragile”

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Recent Posts

  • Roundtable Discussion: A Review of The Last Dinner Party’s ‘From the Pyre’ March 12, 2026
  • Dreaming in Sound: Reifier on Identity, Dreams, and the Making of ‘The Unfolding’ March 12, 2026
  • Living in the Moment with Florentenes’ Roaring Indie Rock Anthem “Madeline” March 12, 2026
  • “A Middle Finger to Music as We Know It”: Nory Embraces Tension, Recklessness & Raw Truth on ‘F**K THAT THIS THE RHYTHM’ March 11, 2026
  • You’ve Got Me Hummin’: No Hassle to Hear Early Billy Joel Melodies in New Doc, ‘And So It Goes’ March 11, 2026
  • “An Elegy for L. Skell”: An Essay by Human Potential’s Andrew Becker March 11, 2026
  • “Make That Money, Baby, Dig Your Grave”: Happy Landing Tear into the Myth of the American Dream on “The American Way” March 11, 2026
  • Dolphins on Acid Are Rediscovering the Tried-and-True Path to Success in Their Own Surf-Fueled Way March 10, 2026
  • With ‘Pretour,’ Kim Petras Fights to Share Her Bold New “Pop Sound” March 10, 2026
  • “Echo Chamber, Promise Breaker”: Philine Sonny Unleashes Raw Fury on “Outrun,” a Ferocious Alt-Rock Reckoning March 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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