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James Crowley

James Crowley

James is a New York-based writer and comedian. Besides Atwood, he's also written for Sensations Press and his own blog Burgeraday.com. He hosts the comedy/music podcast James Crowley's Infinite Playlist. He also co-hosts the Burger-a-Day Podcast.

3OH!3 © 2020
Columns, Music, Today's SongDecember 29, 2020<December 28, 2020

Today’s Song: 3OH!3 Have Brought Beef Back to 2020 in “LONELY MACHINES”

Bartees Strange © Bao Ngo
Debut, Music, ReviewsDecember 8, 2020<December 8, 2020

Review: Bartees Strange’s Unexplainable Art Will ‘Live Forever’

Ruby Ryan
Music, Music Videos, PremieresOctober 8, 2020<October 8, 2020

Premiere: NJ Singer/Songwriter Ruby Ryan Details Romantic Games with “Phosphenes”

Into It. Over It.
Interviews, MusicSeptember 22, 2020<September 22, 2020

Courtesy Greetings: A Conversation with Into It. Over It.

Future Teens © 2020
Columns, Music, Today's SongSeptember 21, 2020<September 21, 2020

Today’s Song: Future Teens Break the Meme with Their “All Star” Cover

Thank You, I'm Sorry
Columns, Music, ReviewsAugust 25, 2020<August 25, 2020

Review: Thank You, I’m Sorry Spill Their Guts on ‘I’m Glad We’re Friends’

Juice WRLD © Nabil Elderkin
Music, Reviews, Today's SongAugust 13, 2020<August 13, 2020

Today’s Song: Juice WRLD Would’ve Been a Pop-Punk Prince with “Come & Go”

Punisher - Phoebe Bridgers
Music, ReviewsJuly 9, 2020<December 1, 2020

On Being Gone Forever: Phoebe Bridgers’ ‘Punisher’ as a Meditation on Death

The Homeless Gospel Choir © Martyna Wisniewska
Features, Interviews, MusicApril 23, 2020<April 23, 2020

Protest Songs As a Relief: An Interview with The Homeless Gospel Choir

Changes - Justin Bieber
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

A Really Late Review of Justin Bieber’s ‘Changes’

Columns, Music, Today's SongMarch 27, 2020<March 27, 2020

Today’s Song: Worriers Give Voice to Global Loneliness in “Big Feelings” & Catastrophe in “End of the World”

SLS © Katie Neuhof
Features, Interviews, MusicMarch 4, 2020<October 19, 2021

Put on a Brave Face: A Conversation with Spanish Love Songs

Spanish Love Songs
Music, ReviewsFebruary 20, 2020<February 20, 2020

Doom and Gloom: Spanish Love Songs Enlighten a Horrible World with ‘Brave Faces Everyone’

Pinegrove © Caroline Tompkins
Features, Interviews, MusicFebruary 13, 2020<February 13, 2020

An Endless Night Through ‘Marigold’: A Conversation with Pinegrove

Growing Down - Termination Dust
Music, ReviewsJanuary 27, 2020<January 25, 2020

Termination Dust Show Off Both Pop Sensibility & Punk Intensity While ‘Growing Down’

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Recent Posts

  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
  • “So What This, So What That”: Plain Mister Smith Turns Zen, Humor, & Human Messiness into Indie Rock Exhilaration on “Andy Warhol” December 2, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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