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James Meadows

James Meadows

Julien Baker Red Door
Music, ReviewsJune 26, 2019<June 26, 2019

Review: Julien Baker’s Modern Gospel in “Red Door / Conversation Piece”

Sticky Fingers - Yours to Keep Album Art
ReviewsFebruary 27, 2019<February 28, 2019

Review: Sticky Fingers Pull Back the Veil in ‘Yours to Keep’

The Britanys © Aysia Marotta
Features, Interviews, Mixtape, MusicDecember 12, 2018<December 12, 2018

Experimentation, Technology, and Interactive Album Art: A Conversation with The Britanys

Unknown Mortal Orchestra © Neil Krug
Columns, Music, Today's SongJuly 13, 2018<July 16, 2018

Today’s Song: The Honey-Glazed Ode of Unknown Mortal Orchestra’s “Hunnybee”

Luca Brasi © Kane Hibberd
Music, ReviewsJune 27, 2018<June 27, 2018

Review: Accepting Loss & Bittersweet Memories in Luca Brasi’s ‘Stay’

Hobo Johnson & The LoveMakers
Essays, MusicApril 17, 2018<April 17, 2018

The Art of Manic Poetry: Hobo Johnson & The LoveMakers

Mica Tenenbaum of Magdalena Bay © Nicole Almeida
Debut, Features, Interviews, MusicMarch 15, 2018<December 21, 2024

Talking Retro Pop and Vintage Film: A Conversation with Magdalena Bay

Hockey Dad © Joseph Crackett
Music, Our Take, ReviewsFebruary 26, 2018<February 26, 2018

Our Take: The Pain of Nostalgia and Fame on Hockey Dad’s ‘Blend Inn’

Saturation III - BROCKHAMPTON
Music, Our Take, ReviewsJanuary 5, 2018<February 20, 2018

Our Take: BROCKHAMPTON’s ‘Saturation III’ Refines Their All-Caps Ethos of DIY Creativity

Daniel Caesar © 2016
Columns, Music, Today's SongDecember 6, 2017<September 20, 2023

Today’s Song: Lost Love & Sadness in Daniel Caesar’s “Japanese Denim”

Recent Posts

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  • “We Can All Be Strange Together”: Charming Disaster on ‘The Double,’ Creative Synchronicity, and Following “What If?” Wherever It Leads August 20, 2026
  • “I Have an Amazon Rainforest of Emotions”: MARIS Is the Pop Star of Your Dreams August 20, 2026
  • “The More I Think About It, I’m Just Doing Fine”: Mildred Unearth the Strange Poetry of Ordinary Life on “Fish Sticks” & Their Homespun Debut Album ‘Fenceline’ August 20, 2026
  • “If You Have Life, You Should Celebrate It”: Bad With Phones Channels Grief into a Propulsive Celebration of Life on “Human” August 19, 2026
  • “I Learned How to Speak My Mind”: Grace Ives on Independence, Inner Critics, and Her Bold, Restless Third Album, ‘Girlfriend’ August 19, 2026
  • “Open Your Mouth and Sing!”: Danni Nicholls Lets Intuition Lead on the Warm, Soul-Searching Americana of ‘Making Moves’ August 19, 2026
  • “I’m a Loser”: Ax and the Hatchetmen Admit Their Flaws on Rebellious Summer Anthem “Loser” August 19, 2026
  • “It’s as Beautiful as It’s Treacherous”: Afternoon Bike Ride Run Headlong Through Love, Loss, & the Fullness of Life on ‘Running With Scissors’ August 18, 2026
  • Inside Phoebe Bridgers’ Dazzling ‘Lost Weekend’ Planetarium Experience August 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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