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Jon Hecht

Jon Hecht

New Jersey-bred writer (or more accurately, ranter) living in Brooklyn. I spend all my time listening to music, thinking about music, and insisting that all my friends appreciate my thoughts about music, so I sometimes write about it on the internet to give them a break. I also do a bunch of odd jobs in and about New York City, because I'm obsessed with the place. I literally make a living out of knowing obscure trivia facts, so I'm always interested in hearing about some weird topic you know about.

Leonard Cohen
Editorials, Features, MusicNovember 14, 2016<November 14, 2016

I Told You When I Met You I Was a Stranger: A Tribute to Leonard Cohen

Bob Dylan
Editorials, MusicOctober 15, 2016<September 30, 2025

Editorial: Why Bob Dylan’s Music Is Literature

Coloring Book - Chance the Rapper
Editorials, Features, Music, Our Take, ReviewsMay 19, 2016<May 20, 2016

Are You Ready For Your Miracle? The Inimitable Positivity of Chance the Rapper

Lemonade promo - Beyonce
Editorials, Features, Music, ReviewsMay 2, 2016<August 15, 2022

Review: Lemonade and the Unstoppable Force That Is Beyoncé

Lushlife + CSLSX @ Baby's All Right, BK 4/13/2016
Columns, Concert Conversations, Concerts, MusicApril 27, 2016<May 19, 2016

Concert Conversations: Not-A-Rap-Concert Rap Concert

Prince
Editorials, Features, MusicApril 22, 2016<April 23, 2016

I Was Dreaming When I Wrote This. Forgive Me If It Goes Astray: A Tribute 2 Prince

Zen Mantra
Columns, Music, Today's SongApril 20, 2016<April 20, 2016

Today’s Song: Zen Mantra and the Power of Dreams

Open Mike Eagle & Paul White
Columns, Music, Today's SongMarch 31, 2016<March 31, 2016

Today’s Song: The Endorphic Pleasures of Open Mike Eagle

George Martin
Editorials, Features, Music, PlaylistsMarch 11, 2016<March 11, 2016

The First Beatle: Remembering George Martin

Ghost King
Debut, Features, Music, Premieres, ReviewsMarch 7, 2016<March 11, 2016

Exclusive Premiere: Ghost King Reminds You Why You Like That Old-Time Rock and Roll

Debut, Music, Our Take, ReviewsFebruary 18, 2016<February 24, 2016

Bringing Warmth Back to Soul: The Retro-Futurism of KING’s “We Are King”

"Hallucinations" by DVSN single art
Columns, Debut, Music, Today's SongJanuary 28, 2016<January 28, 2016

Today’s Song: The Fleeting Immediacy of dvsn’s “Hallucinations”

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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