• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Kelly McCafferty Dorogy

Kelly McCafferty Dorogy

Kelly has been with Atwood since its earliest days in 2014. She is originally from Pittsburgh, PA, now based in New Orleans, LA and has been singing, writing, playing guitar and piano for almost all of her life. Music drives everything she does. She brings her unique perspective with each piece, always open to discovering something or someone new.

Módl © 2016
Columns, Music, Today's SongDecember 7, 2016<December 7, 2016

Today’s Song: Módl’s “Unrequited” (feat. Clare Szembek) Stands Out in a Sea of Look-Alikes

Johnnyswim © Darren Lau
Features, Interviews, MusicNovember 29, 2016<November 29, 2016

Passion with Purpose: A Conversation with JOHNNYSWIM

Stanaj
Columns, Debut, Music, Music You Should Know, ReviewsNovember 16, 2016<November 15, 2016

Music You Should Know: Stanaj’s “The Preview” EP Will Leave You Ready for More

Johnnyswim © Darren Lau
Columns, Music, Today's SongOctober 27, 2016<October 27, 2016

Today’s Song: Johnnyswim’s “First Try” is a One-of-a-Kind Love Song

Pop MattersFebruary 23, 2015<February 23, 2015

Reflecting on MisterWives

Columns, Music, Pop Matters, ReviewsDecember 8, 2014<December 5, 2017

Underneath Swift’s Wildest Dreams

Music, Pop MattersNovember 9, 2014<September 24, 2015

Hozier Rocks SNL

Posts pagination
1 … 10 11 12

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services