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Madison Vettorino

Madison Vettorino

Madison Zoey Vettorino is a Journalism student at Marist College in Poughkeepsie, New York. She is passionate about both the written word and music because she believes they have something incredible in common: the capability to bring people together.

COIN © Zachary Gray
Columns, Music, Today's SongOctober 10, 2019<October 10, 2019

COIN Tell the Story of the One Who Got Away with “Malibu 1992”

Twinsmith © Alicia Skillman
Columns, Music, Today's SongSeptember 25, 2019<September 27, 2019

Today’s Song: Twinsmith Continue to Connect with “Feels”

Columns, Music, Reviews, Today's SongSeptember 4, 2019<September 4, 2019

Today’s Song: City and Colour Confronts Shortcomings and Connects Fans With “Living in Lightning”

BERG © NKT Studios
Debut, Music, PremieresSeptember 3, 2019<September 3, 2019

Premiere: BERG Ponders Lost Potential Love with “What If”

Taylor Swift © Valheria Rocha
Columns, Music, Today's SongAugust 22, 2019<August 22, 2019

Today’s Song: Taylor Swift’s “Lover” Is Dramatic and Dazzlingly Romantic

Vansire
Columns, Music, Today's SongAugust 19, 2019<August 19, 2019

Today’s Song: Vansire Muse About Modern Life with “Metamodernity”

Lily Kershaw © Shervin Lainez
Interviews, Music, PremieresAugust 1, 2019<August 1, 2019

Premiere: Lily Kershaw Grapples with Past & Present in Her Latest Single “Now & Then”

Maggie Rogers 2019 © Olivia Bee
Columns, Music, Today's SongJuly 25, 2019<July 24, 2019

Today’s Song: Maggie Rogers Stuns with “Say It”

Posts pagination
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Recent Posts

  • “The Truth as the Mission”: The Suffers’ Kam Franklin Puts Trauma, Desire, & Defiance on the Record with ‘Land of the Neon Sun,’ Her Uncompromising Solo Debut October 1, 2026
  • Agitate, Educate, Organize: A Look Back at That Petrol Emotion’s 1987 Single “Big Decision” October 1, 2026
  • No More Forgive and Forget: Sabrina Sterling Takes Justice into Her Own Hands on ‘An American Crime’ October 1, 2026
  • Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ September 30, 2026
  • “Leave Any Sense of Ego at the Door”: Post Sex Nachos Are Your Favorite Rock Band September 30, 2026
  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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