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Maggie McHale

Maggie McHale

Maggie is a writer for Atwood Magazine, currently living in Philadelphia. She also works as a music manager and cultural liaison via her management company, PBG MGMT. She is heavily involved in the arts and music scene in the City of Brotherly Love, working previously for as a digital marketer for Fame House, a Universal Music Group subsidiary, and as a staff writer for JUMP Magazine. A self-proclaimed “hug enthusiast” and dog lover, Maggie also enjoys fashion, travel, the paranormal, and drinking way too much coffee.

Concerts, Music, Our Take, ReviewsSeptember 23, 2015<September 23, 2015

Live: Years & Years Take Shelter at Union Transfer in Philadelphia, PA

Columns, Music, Music Videos, Today's SongSeptember 10, 2015<April 28, 2017

Today’s Song: Emily Vaughn’s “Better Off” is Better on Repeat

Melanie Martinez 1 © Stephanie Lopez 7.6
Debut, Music, Our Take, ReviewsSeptember 2, 2015<February 4, 2026

Our Take: Crying Out for “Cry Baby” with Melanie Martinez

Music, Music You Should Know, Today's SongAugust 24, 2015<August 24, 2015

Ripped from the Diary: Father John Misty’s “The Night Josh Tillman Came To Our Apartment”

Columns, Features, Hidden Gems, Music, Music You Should KnowAugust 10, 2015<August 10, 2015

Reaching for the Stars: Astronomyy’s Celestial Burst on the Music Scene

Atwood On Tour, Columns, Features, Interviews, MusicJuly 1, 2015<July 1, 2015

A Giant Kerfuffle: Hanging Out with The Griswolds

Columns, Music, Today's SongJune 9, 2015<June 10, 2015

Today’s Song: “youarefire” by LANY

Colony House (from left to right): Will Chapman, Caleb Chapman, and Scott Mills
Columns, Music, Music You Should KnowMay 21, 2015<May 21, 2015

Waiting for Their Time to Come: Bringing the Indie-Alt Scene’s (Colony) House Down

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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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