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Maggie McHale

Maggie McHale

Maggie is a writer for Atwood Magazine, currently living in Philadelphia. She also works as a music manager and cultural liaison via her management company, PBG MGMT. She is heavily involved in the arts and music scene in the City of Brotherly Love, working previously for as a digital marketer for Fame House, a Universal Music Group subsidiary, and as a staff writer for JUMP Magazine. A self-proclaimed “hug enthusiast” and dog lover, Maggie also enjoys fashion, travel, the paranormal, and drinking way too much coffee.

Two Door Cinema Club
Essays, Features, MusicJune 15, 2016<May 9, 2017

Editorial: Are We Ready for Two Door Cinema Club’s Return?

Oli Hannaford
Columns, Music, Today's SongJune 10, 2016<June 10, 2016

Today’s Song: Oli Hannaford Keeps Breathing with “Lily”

Younger Than Expected - Cool Dads
Columns, Music, Today's SongMay 12, 2016<May 12, 2016

Today’s Song: Cool Dads Are “Younger Than Expected” and Proud of It, Too

Charles de Crema
Columns, Music, Today's SongMay 5, 2016<May 5, 2016

Ripped from the Diary: Charles De Crema’s “I Know You Love Me, But Do You Think Of Me, Romantically”

LANY
Features, Interviews, MusicApril 11, 2016<April 11, 2016

More Than Decent: A Conversation with LANY

MOTHXR © Eric Bouccan
Features, Music, Our Take, ReviewsApril 5, 2016<April 10, 2016

Our Take: The Melancholic Dream of “Centerfold” by MOTHXR

FeaturesApril 1, 2016<April 1, 2016

Sing Like Nobody is Listening: London Busker Gives it His All

Music, PremieresFebruary 12, 2016<February 12, 2016

Exclusive Premiere: Intense Expression in Cool Dads’ “This is My Dream” [Part 3/5]

Music, Our Take, ReviewsJanuary 22, 2016<February 25, 2016

Our Take: The Sanguine Promise of Grizfolk’s “Waking Up the Giants”

Debut, Music, PremieresJanuary 6, 2016<January 6, 2016

Exclusive Premiere: The Cadenced Mirth of Cool Dads’ “COOL DADS” [Part 2/5]

Debut, Music, PremieresDecember 22, 2015<December 22, 2015

Exclusive Premiere: The Rhythmic Jocosity of Cool Dads’ “Jeff’s Party” [Part 1/5]

Music, Music You Should Know, Our Take, ReviewsNovember 3, 2015<November 3, 2015

Our Take: The Evocative Awareness of The Neighbourhood’s “Wiped Out!”

AudioDamn! from L to R: Daniel "Mudi" Mudrack, Oliver "Oli" Wimmer, Ali Grumeth
Debut, Features, Interviews, MusicOctober 22, 2015<October 22, 2015

Face(Time)ing the Music: A Chat with AudioDamn!

Features, Interviews, MusicOctober 7, 2015<October 7, 2015

Healing and Transcendence: A Conversation with decker.

The Japanese House (Amber Bain)
Columns, Music, Music You Should KnowOctober 2, 2015<October 19, 2015

Intensity, Eminence and Mystique: The Japanese House Lays a Sound Foundation

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Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
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  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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