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Maggie McHale

Maggie McHale

Maggie is a writer for Atwood Magazine, currently living in Philadelphia. She also works as a music manager and cultural liaison via her management company, PBG MGMT. She is heavily involved in the arts and music scene in the City of Brotherly Love, working previously for as a digital marketer for Fame House, a Universal Music Group subsidiary, and as a staff writer for JUMP Magazine. A self-proclaimed “hug enthusiast” and dog lover, Maggie also enjoys fashion, travel, the paranormal, and drinking way too much coffee.

Concerts, Music, Our Take, ReviewsSeptember 23, 2015<September 23, 2015

Live: Years & Years Take Shelter at Union Transfer in Philadelphia, PA

Columns, Music, Music Videos, Today's SongSeptember 10, 2015<April 28, 2017

Today’s Song: Emily Vaughn’s “Better Off” is Better on Repeat

Melanie Martinez 1 © Stephanie Lopez 7.6
Debut, Music, Our Take, ReviewsSeptember 2, 2015<February 4, 2026

Our Take: Crying Out for “Cry Baby” with Melanie Martinez

Music, Music You Should Know, Today's SongAugust 24, 2015<August 24, 2015

Ripped from the Diary: Father John Misty’s “The Night Josh Tillman Came To Our Apartment”

Columns, Features, Hidden Gems, Music, Music You Should KnowAugust 10, 2015<August 10, 2015

Reaching for the Stars: Astronomyy’s Celestial Burst on the Music Scene

Atwood On Tour, Columns, Features, Interviews, MusicJuly 1, 2015<July 1, 2015

A Giant Kerfuffle: Hanging Out with The Griswolds

Columns, Music, Today's SongJune 9, 2015<June 10, 2015

Today’s Song: “youarefire” by LANY

Colony House (from left to right): Will Chapman, Caleb Chapman, and Scott Mills
Columns, Music, Music You Should KnowMay 21, 2015<May 21, 2015

Waiting for Their Time to Come: Bringing the Indie-Alt Scene’s (Colony) House Down

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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
  • Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” September 11, 2026
  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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