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Maggie McHale

Maggie McHale

Maggie is a writer for Atwood Magazine, currently living in Philadelphia. She also works as a music manager and cultural liaison via her management company, PBG MGMT. She is heavily involved in the arts and music scene in the City of Brotherly Love, working previously for as a digital marketer for Fame House, a Universal Music Group subsidiary, and as a staff writer for JUMP Magazine. A self-proclaimed “hug enthusiast” and dog lover, Maggie also enjoys fashion, travel, the paranormal, and drinking way too much coffee.

Concerts, Music, Our Take, ReviewsSeptember 23, 2015<September 23, 2015

Live: Years & Years Take Shelter at Union Transfer in Philadelphia, PA

Columns, Music, Music Videos, Today's SongSeptember 10, 2015<April 28, 2017

Today’s Song: Emily Vaughn’s “Better Off” is Better on Repeat

Melanie Martinez 1 © Stephanie Lopez 7.6
Debut, Music, Our Take, ReviewsSeptember 2, 2015<February 4, 2026

Our Take: Crying Out for “Cry Baby” with Melanie Martinez

Music, Music You Should Know, Today's SongAugust 24, 2015<August 24, 2015

Ripped from the Diary: Father John Misty’s “The Night Josh Tillman Came To Our Apartment”

Columns, Features, Hidden Gems, Music, Music You Should KnowAugust 10, 2015<August 10, 2015

Reaching for the Stars: Astronomyy’s Celestial Burst on the Music Scene

Atwood On Tour, Columns, Features, Interviews, MusicJuly 1, 2015<July 1, 2015

A Giant Kerfuffle: Hanging Out with The Griswolds

Columns, Music, Today's SongJune 9, 2015<June 10, 2015

Today’s Song: “youarefire” by LANY

Colony House (from left to right): Will Chapman, Caleb Chapman, and Scott Mills
Columns, Music, Music You Should KnowMay 21, 2015<May 21, 2015

Waiting for Their Time to Come: Bringing the Indie-Alt Scene’s (Colony) House Down

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Recent Posts

  • Killjoys, Make Some Noise: Diving Deep into My Chemical Romance’s ‘Danger Days’ July 14, 2026
  • Liner Notes: A Pretty Park With Paige O, Toronto’s Ladybug-Stickered Singer/Songwriter July 14, 2026
  • “Where the Water Meets the Sky”: Anne-Claire Makes a Spellbinding Return on “River,” a Lush, Sweeping Portrait of Love and Longing July 14, 2026
  • “You Can Do Whatever You Want”: Ryann Ross on Her Debut EP ‘On the Marsh’ and the Songs You Can’t Recreate July 14, 2026
  • “I’m Just a Tourist From the 51st State”: The Howlers Wake Up from the American Dream on “L.A. Morning” July 13, 2026
  • “There Will Always Be Ghosts Following You”: Lee Emi Confronts the Myth of a “Clean Slate” in a Raw Reckoning With the Inescapable Past July 13, 2026
  • “The Cover Story Stands”: Notes From Under Ground Skewers Music-Industry Nepotism on “Names In Blue,” a Sun-Kissed and Scathing Satire July 13, 2026
  • Finn Wolfhard Thinks Great Art Should Leave Fingerprints July 13, 2026
  • “Kicking the Past in the Teeth”: Loren Berí Reckons With Aging, Nostalgia, and His Own Jadedness on “Dimes Square Is Over,” a Synth-Pop Eulogy for a Fallen Scene July 13, 2026
  • “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane July 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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