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Maggie McHale

Maggie McHale

Maggie is a writer for Atwood Magazine, currently living in Philadelphia. She also works as a music manager and cultural liaison via her management company, PBG MGMT. She is heavily involved in the arts and music scene in the City of Brotherly Love, working previously for as a digital marketer for Fame House, a Universal Music Group subsidiary, and as a staff writer for JUMP Magazine. A self-proclaimed “hug enthusiast” and dog lover, Maggie also enjoys fashion, travel, the paranormal, and drinking way too much coffee.

Electric Guest © Nick Walker
Music, Our Take, ReviewsApril 24, 2017<April 24, 2017

Our Take: The Many Faces of “Plural” by Electric Guest

Columns, Music, Today's SongApril 18, 2017<April 17, 2017

Today’s Song: Idealism and Purpose in ALOK’s “Hear Me Now”

Features, Interviews, MusicMarch 21, 2017<March 22, 2017

Here for a Good Time: A Conversation with Knox Hamilton

Loose Buttons © 2017
Features, Interviews, MusicFebruary 28, 2017<February 28, 2017

Being Honest in Art: A Conversation with Loose Buttons

DRUGBLVD. - Drug Boulevard
Interviews, MusicFebruary 24, 2017<February 24, 2017

A Journey Down DRUGBLVD.

Surf Rock is Dead © Jacqueline Harriet
Features, Interviews, MusicFebruary 9, 2017<February 9, 2017

Consistency, Creation, and Contentment: A Conversation with Surf Rock is Dead

"Black & White" - Miss Jupiter
Features, Music, Music Videos, PremieresJanuary 16, 2017<January 16, 2017

Exclusive Premiere: Miss Jupiter Proves Emotional Rawness Isn’t Just “Black & White”

PHANGS // Jake Germany
Features, Music, PremieresJanuary 13, 2017<January 17, 2017

Exclusive Premiere: The Magnetism of PHANGS’ “One & Lonely” and “Cul De Sac”

"Party Trix" - Trap Rabbit
Features, Music, Music Videos, PremieresJanuary 10, 2017<January 10, 2017

Exclusive Premiere: Trap Rabbit Show Off Their “Party Trix”

Features, Music, PremieresDecember 22, 2016<December 22, 2016

Exclusive Premiere: Cult Class are Raw and Redolent on Self-Titled Debut

iLLECTIVE © 2016
Features, Interviews, MusicDecember 20, 2016<December 20, 2016

No Genres, Just Vibes: A Conversation with iLLECTIVE

Hugh (Izzy Brooks and Josh Idehen) © 2016
Interviews, MusicDecember 15, 2016<December 15, 2016

Light in the Madness: Meet Hugh

Tom Odell © 2016
Features, Interviews, MusicDecember 1, 2016<November 30, 2016

Following Instinct and Keeping it Real: A Conversation with Tom Odell

Yoke Lore © DeSean McClinton-Holland
Features, Interviews, MusicNovember 11, 2016<May 9, 2017

Value in Dynamism: A Conversation with Yoke Lore

Features, Interviews, MusicNovember 7, 2016<November 7, 2016

Like a Recipe: A Conversation with Iration

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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