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Maggie McHale

Maggie McHale

Maggie is a writer for Atwood Magazine, currently living in Philadelphia. She also works as a music manager and cultural liaison via her management company, PBG MGMT. She is heavily involved in the arts and music scene in the City of Brotherly Love, working previously for as a digital marketer for Fame House, a Universal Music Group subsidiary, and as a staff writer for JUMP Magazine. A self-proclaimed “hug enthusiast” and dog lover, Maggie also enjoys fashion, travel, the paranormal, and drinking way too much coffee.

Electric Guest © Nick Walker
Music, Our Take, ReviewsApril 24, 2017<April 24, 2017

Our Take: The Many Faces of “Plural” by Electric Guest

Columns, Music, Today's SongApril 18, 2017<April 17, 2017

Today’s Song: Idealism and Purpose in ALOK’s “Hear Me Now”

Features, Interviews, MusicMarch 21, 2017<March 22, 2017

Here for a Good Time: A Conversation with Knox Hamilton

Loose Buttons © 2017
Features, Interviews, MusicFebruary 28, 2017<February 28, 2017

Being Honest in Art: A Conversation with Loose Buttons

DRUGBLVD. - Drug Boulevard
Interviews, MusicFebruary 24, 2017<February 24, 2017

A Journey Down DRUGBLVD.

Surf Rock is Dead © Jacqueline Harriet
Features, Interviews, MusicFebruary 9, 2017<February 9, 2017

Consistency, Creation, and Contentment: A Conversation with Surf Rock is Dead

"Black & White" - Miss Jupiter
Features, Music, Music Videos, PremieresJanuary 16, 2017<January 16, 2017

Exclusive Premiere: Miss Jupiter Proves Emotional Rawness Isn’t Just “Black & White”

PHANGS // Jake Germany
Features, Music, PremieresJanuary 13, 2017<January 17, 2017

Exclusive Premiere: The Magnetism of PHANGS’ “One & Lonely” and “Cul De Sac”

"Party Trix" - Trap Rabbit
Features, Music, Music Videos, PremieresJanuary 10, 2017<January 10, 2017

Exclusive Premiere: Trap Rabbit Show Off Their “Party Trix”

Features, Music, PremieresDecember 22, 2016<December 22, 2016

Exclusive Premiere: Cult Class are Raw and Redolent on Self-Titled Debut

iLLECTIVE © 2016
Features, Interviews, MusicDecember 20, 2016<December 20, 2016

No Genres, Just Vibes: A Conversation with iLLECTIVE

Hugh (Izzy Brooks and Josh Idehen) © 2016
Interviews, MusicDecember 15, 2016<December 15, 2016

Light in the Madness: Meet Hugh

Tom Odell © 2016
Features, Interviews, MusicDecember 1, 2016<November 30, 2016

Following Instinct and Keeping it Real: A Conversation with Tom Odell

Yoke Lore © DeSean McClinton-Holland
Features, Interviews, MusicNovember 11, 2016<May 9, 2017

Value in Dynamism: A Conversation with Yoke Lore

Features, Interviews, MusicNovember 7, 2016<November 7, 2016

Like a Recipe: A Conversation with Iration

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Recent Posts

  • Editor’s Picks 172: Spouse, Field Guide, Janet Devlin, Bess Atwell, Angela Autumn, & Bo Staloch! November 14, 2026
  • “I Want to Be All Chalant”: Cherry Bomb Follows Her Intuition on ‘The Pursuit of Pleasure,’ a Glittering Disco Pop Debut November 13, 2026
  • “It’s Okay to Slow Down and Listen to Yourself”: Anna Shoemaker Builds a Life of Her Own on ‘Back to Pennsylvania,’ a Soul-Stirring Portrait of Homecoming, Self-Discovery, & Second Chances November 13, 2026
  • “A person in my own becoming”: Marie Dresselhuis Emphasizes the Innate Human Need for Connection and Imperfection in “Leave the Music” November 13, 2026
  • Track-by-Track: Livingmore Celebrate the Strange Beauty of Being Alive November 13, 2026
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  • “There’s Heaven in the Suburbs”: Gang of Youths Bask in the Joy of Becoming on “Things Take Time,” a Golden-Hued Ode to Patience and Possibility November 11, 2026
  • “I’ll Miss You Forever and Ever”: Julia Logan Rides Love’s Bittersweet High on “Tidal Wave,” a Lush, Sun-Kissed Folk Pop Reverie November 11, 2026
  • Friendship, Laughter, & Harmony: Tiny Habits Set Themselves Free on ‘Keepers,’ a Colorful Portrait of Living and Loving Out Loud November 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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