• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Maggie McHale

Maggie McHale

Maggie is a writer for Atwood Magazine, currently living in Philadelphia. She also works as a music manager and cultural liaison via her management company, PBG MGMT. She is heavily involved in the arts and music scene in the City of Brotherly Love, working previously for as a digital marketer for Fame House, a Universal Music Group subsidiary, and as a staff writer for JUMP Magazine. A self-proclaimed “hug enthusiast” and dog lover, Maggie also enjoys fashion, travel, the paranormal, and drinking way too much coffee.

Electric Guest © Nick Walker
Music, Our Take, ReviewsApril 24, 2017<April 24, 2017

Our Take: The Many Faces of “Plural” by Electric Guest

Columns, Music, Today's SongApril 18, 2017<April 17, 2017

Today’s Song: Idealism and Purpose in ALOK’s “Hear Me Now”

Features, Interviews, MusicMarch 21, 2017<March 22, 2017

Here for a Good Time: A Conversation with Knox Hamilton

Loose Buttons © 2017
Features, Interviews, MusicFebruary 28, 2017<February 28, 2017

Being Honest in Art: A Conversation with Loose Buttons

DRUGBLVD. - Drug Boulevard
Interviews, MusicFebruary 24, 2017<February 24, 2017

A Journey Down DRUGBLVD.

Surf Rock is Dead © Jacqueline Harriet
Features, Interviews, MusicFebruary 9, 2017<February 9, 2017

Consistency, Creation, and Contentment: A Conversation with Surf Rock is Dead

"Black & White" - Miss Jupiter
Features, Music, Music Videos, PremieresJanuary 16, 2017<January 16, 2017

Exclusive Premiere: Miss Jupiter Proves Emotional Rawness Isn’t Just “Black & White”

PHANGS // Jake Germany
Features, Music, PremieresJanuary 13, 2017<January 17, 2017

Exclusive Premiere: The Magnetism of PHANGS’ “One & Lonely” and “Cul De Sac”

"Party Trix" - Trap Rabbit
Features, Music, Music Videos, PremieresJanuary 10, 2017<January 10, 2017

Exclusive Premiere: Trap Rabbit Show Off Their “Party Trix”

Features, Music, PremieresDecember 22, 2016<December 22, 2016

Exclusive Premiere: Cult Class are Raw and Redolent on Self-Titled Debut

iLLECTIVE © 2016
Features, Interviews, MusicDecember 20, 2016<December 20, 2016

No Genres, Just Vibes: A Conversation with iLLECTIVE

Hugh (Izzy Brooks and Josh Idehen) © 2016
Interviews, MusicDecember 15, 2016<December 15, 2016

Light in the Madness: Meet Hugh

Tom Odell © 2016
Features, Interviews, MusicDecember 1, 2016<November 30, 2016

Following Instinct and Keeping it Real: A Conversation with Tom Odell

Yoke Lore © DeSean McClinton-Holland
Features, Interviews, MusicNovember 11, 2016<May 9, 2017

Value in Dynamism: A Conversation with Yoke Lore

Features, Interviews, MusicNovember 7, 2016<November 7, 2016

Like a Recipe: A Conversation with Iration

Posts pagination
1 … 5 6 7 8 9 10

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services