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Maggie McHale

Maggie McHale

Maggie is a writer for Atwood Magazine, currently living in Philadelphia. She also works as a music manager and cultural liaison via her management company, PBG MGMT. She is heavily involved in the arts and music scene in the City of Brotherly Love, working previously for as a digital marketer for Fame House, a Universal Music Group subsidiary, and as a staff writer for JUMP Magazine. A self-proclaimed “hug enthusiast” and dog lover, Maggie also enjoys fashion, travel, the paranormal, and drinking way too much coffee.

Concerts, Music, Our Take, ReviewsSeptember 23, 2015<September 23, 2015

Live: Years & Years Take Shelter at Union Transfer in Philadelphia, PA

Columns, Music, Music Videos, Today's SongSeptember 10, 2015<April 28, 2017

Today’s Song: Emily Vaughn’s “Better Off” is Better on Repeat

Melanie Martinez 1 © Stephanie Lopez 7.6
Debut, Music, Our Take, ReviewsSeptember 2, 2015<February 4, 2026

Our Take: Crying Out for “Cry Baby” with Melanie Martinez

Music, Music You Should Know, Today's SongAugust 24, 2015<August 24, 2015

Ripped from the Diary: Father John Misty’s “The Night Josh Tillman Came To Our Apartment”

Columns, Features, Hidden Gems, Music, Music You Should KnowAugust 10, 2015<August 10, 2015

Reaching for the Stars: Astronomyy’s Celestial Burst on the Music Scene

Atwood On Tour, Columns, Features, Interviews, MusicJuly 1, 2015<July 1, 2015

A Giant Kerfuffle: Hanging Out with The Griswolds

Columns, Music, Today's SongJune 9, 2015<June 10, 2015

Today’s Song: “youarefire” by LANY

Colony House (from left to right): Will Chapman, Caleb Chapman, and Scott Mills
Columns, Music, Music You Should KnowMay 21, 2015<May 21, 2015

Waiting for Their Time to Come: Bringing the Indie-Alt Scene’s (Colony) House Down

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Recent Posts

  • Editor’s Picks 170: PASH, Matilda Mann, Evan Honer & Medium Build, Pamela., Stevie Bill, & The Hails! October 31, 2026
  • “I’m Leaning Into the Off-Kilter”: total tommy Embraces Imperfection and Her Darker Side on ‘Trapezoid,’ a Blistering Indie Rock Portrait of Love, Chaos, & Self-Sabotage October 30, 2026
  • Atwood Magazine’s Weekly Roundup: October 30, 2026 October 30, 2026
  • “These Songs Have Been Lived In”: Convinced Friend Keeps a Disappearing Hometown Alive on ‘Nowhere Songs,’ a Spellbinding Ode to All We Leave Behind October 29, 2026
  • “Like 100 Shots of Espresso”: Sebastian Schub Throws Himself Headfirst into Joy on “kiss of life.” and His Most Magical Music Yet October 29, 2026
  • King Gizzard & the Lizard Wizard Dive into a Brand New World of Beats & Synths on ‘Alien Metal’ October 29, 2026
  • “It Was All a Mistake… But We Liked It”: MLEKO on Happy Accidents, ‘The Feast of St. Perpetua,’ & the Beautiful Absurdity of “Gub Rock” October 29, 2026
  • “It’s a Beautiful Night Somewhere”: U2’s “The Greatest Show on Earth” Is an Infinite Gesture of Hope October 29, 2026
  • “I’m Sick of Everything Evil”: Montreal’s Elephant Stone Search for Hope Amid Grief & Political Turmoil on ‘ASHA,’ a Soul-Stirring Psychedelic Reckoning October 28, 2026
  • “You Don’t Have to Take This Crap”: Why The Style Council’s ‘Our Favourite Shop’ Is the Best Political Album of All Time October 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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