• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Minna Abdel-Gawad

Minna Abdel-Gawad

Minna Abdel-Gawad (she/her) is an Egyptian British writer currently pursuing a Journalism degree at Emerson College. She has always had a passion for music and how it can speak to people, so melding her love of writing with music is the perfect pairing. She loves sharing the stories of those she interviews and passionately writing about songs that speak to her. When she is not fervently writing, creating playlists on Spotify or attending any concert she can get to Minna can be found thrifting, reading, crocheting and watching rom-coms. Minna can be reached at minna.abdelgawad@gmail.com and @minna.ag on Instagram!

Billie Marten © Katie Silvester
Columns, Music, Today's SongFebruary 7, 2023<February 7, 2023

Today’s Song: Billie Marten Creates a Peaceful Safe Haven in “This Is How We Move”

Lowertown © Shervin Lainez
Debut, Features, Interviews, MusicJanuary 19, 2023<January 23, 2023

Interview: Lowertown Share Their Raw, Unfiltered Truths in Debut Album ‘I Love to Lie’

Matilda Mann & Spill Tab © 2023
Columns, Music, Today's SongJanuary 12, 2023<January 12, 2023

Today’s Song: “Borderline Insane” Is Matilda Mann & spill tab’s Irresistible Grunge Pop Anthem

Honey Moon © Andreia Lemos
Columns, Music, Today's SongDecember 5, 2022<March 2, 2025

Married to the Mob: Honey Moon’s Rendezvous with Bossa in “Amour Fou”

Posts pagination
1 2

Recent Posts

  • “Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song April 22, 2026
  • “For One Night Only, Bring Them to Italy”: A Conversation with Il Volo April 22, 2026
  • “Eat Your Heart Out”: A Vivisection of SKORTS’ Unrelenting Debut Album ‘Incompletement’ April 22, 2026
  • “Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner April 22, 2026
  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom April 21, 2026
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services