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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Impulsive Hearts © Jovan Landry
Music, Music Videos, PremieresDecember 5, 2024<December 5, 2024

Premiere: Impulsive Hearts’ Irresistible Anthem “Fit 4 the Apocalypse” Is a Fitting Soundtrack for the End of the World

Products Band © Juliet Farmer
Music, Music Videos, PremieresDecember 5, 2024<December 5, 2024

“Attach and Separate”: Basking in the Raw, Feverish Energy of Products Band’s “Steady/Sugarless”

Saint Blonde "Prowl" © 2024
Columns, Music, Today's SongDecember 4, 2024<December 4, 2024

“I heard it goin’ ‘round”: Saint Blonde Catch Feelings & Lean in on “Prowl,” Their Seductive Singalong

The Morning Herald © Jane Mok
Music, Music Videos, PremieresDecember 4, 2024<December 4, 2024

“The rumbles out on the town, and it’s alright”: Brooklyn’s The Morning Herald Premiere “Twenty Somethings,” an Anthemic Indie Rock Ode to Friendship and Good Times

Vlad Holiday © Nicole Mago
Debut, Features, Interviews, Music, Track-by-TrackDecember 4, 2024<December 4, 2024

Feature: Vlad Holiday Chases ‘My Favorite Drug’ on His Darkly Romantic Debut Album

Hank Heaven 'Loaded Dice' album art
Debut, Features, Interviews, Music, Track-by-TrackDecember 4, 2024<December 4, 2024

“Cheeky, Vulnerable, & Gritty”: Hank Heaven Debuts With Angst and Twang on Soul-Stirring LP ‘Loaded Dice’

Aisha Badru © Jeffery Trapani
Features, Interviews, Music, Track-by-TrackDecember 4, 2024<December 4, 2024

Feature: Aisha Badru Hones Her Message of Hope, Healing, & Wellness on ‘The Sun Still Rises,’ a Therapeutic Folk-Pop Journey

Jo Hill 'girlhood' © Phoebe Fox
Debut, Features, Interviews, Music, Track-by-TrackDecember 3, 2024<December 3, 2024

“I want it to feel like you’re opening my diary”: Jo Hill Embraces & Exudes ‘girlhood.’ on Her Raw, Liberating, Coming-of-Age Debut Album

Tiana Major9 © Remy Bourdeau
Columns, Music, Today's SongDecember 2, 2024<December 3, 2024

Today’s Song: The Gut-Wrenching Heartache of Tiana Major9’s Soul-Baring Seduction, “alone”

Roman Joon © 2024
Artist to Watch, Columns, Debut, Music, Today's SongNovember 28, 2024<November 27, 2024

“Crawling up the walls”: Brighton’s Roman Joon Debuts With Fresh, Urgent, & Exhilarating “Call It What You Want”

Liang Lawrence © Mollie McKay
Columns, Music, Today's SongNovember 27, 2024<November 26, 2024

Today’s Song: Liang Lawrence Bares Her Heart in “Kiss My Apocalypse,” a Dreamy & Dramatic Indie Pop Love Song

Maria Kelly © Charlotte Blokhuis
Columns, Music, Today's SongNovember 24, 2024<November 27, 2024

“I’m in a slump and I can’t wake up”: The Heartrending Weight of Maria Kelly’s Intimate, Delicate, & Aching Indie Folk “Slump”

Bathe Alone’s Bailey Crone © Lindsay Thomaston
Features, Interviews, Music, Track-by-TrackNovember 22, 2024<November 22, 2024

Feature: Bathe Alone Channels Grief into Musical Beauty on ‘I Don’t Do Humidity,’ an Album of Endings, Trauma, & Divorce

Lia Pappas-Kemps © Oscar Tam
Debut, Features, Interviews, Music, Track-by-TrackNovember 22, 2024<November 22, 2024

Feature: Lia Pappas-Kemps’ Inner Light Shines on ‘Gleam,’ a Bold, Brash, & Breathtaking Debut

Little Hag © Melissa McLaughlin
Features, Interviews, Music, Track-by-TrackNovember 21, 2024<November 21, 2024

“Bitchy, Fun, & Stupid”: Little Hag’s ‘Now That’s What I Call Little Hag’ Is a Delightfully Bold & Unapologetic Fever Dream

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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