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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Bec Sykes 'Pepperpot Magic' © Jeff Andersen Jnr.
Debut, Features, Interviews, Music, Track-by-TrackNovember 14, 2024<November 14, 2024

Trauma, Heartache, & Healing: Melbourne’s Bec Sykes Delves into the Intimate Alt-Folk Depths of Debut LP ‘Pepperpot Magic’

Sebastian Schub © Emelia Staugaard
Artist to Watch, Columns, Interviews, Music, Today's SongNovember 14, 2024<November 14, 2024

Interview: Singer/Songwriter Sebastian Schub Debuts With “Sing Like Madonna,” a Defining & Impassioned Mission Statement

The Brook & The Bluff © Bryant Bural & Noah Tidmore
Features, Interviews, Music, Track-by-TrackNovember 14, 2024<November 14, 2024

Feature: Basking in The Brook & The Bluff’s Big Happy Accident, ‘This Could All Go Nowhere’

She's in Parties © Polocho
Features, Interviews, Music, Track-by-TrackNovember 13, 2024<November 13, 2024

“Smile for me”: Essex’s She’s in Parties Shine a Light on Our Broken World in Theatrical ‘Puppet Show’ EP

Holly Lovell © Eric Yochim
Music, PremieresNovember 13, 2024<November 15, 2024

Premiere: Denver’s Holly Lovell Embraces Grief, Heartache, & Longing in “When Did I Lose You”

Mood Bored © Michèle Margot
Artist to Watch, Music, Music Videos, PremieresNovember 13, 2024<November 15, 2024

“Don’t you wanna break?”: Mood Bored Premiere Their Grungy Angst-Fueled Fever Dream, “All the Time”

Izzy Outerspace © Troy Conrad
Music, Music Videos, PremieresNovember 12, 2024<November 12, 2024

Premiere: Floating Through Izzy Outerspace’s Dreamy, Aching “Beautiful Blur”

Peter Elkas "SWEET SPOT" © Atiya May Elkas
Columns, Music, Today's SongNovember 12, 2024<November 12, 2024

Basking in the “SWEET SPOT” With Peter Elkas’ Dreamy, Sun-Kissed Yacht Rock Reverie

Buddie © Tyler McLeod
Columns, Music, Today's SongNovember 6, 2024<November 6, 2024

Today’s Song: Buddie Call Out a Broken System in “Impatient,” a Hard-Hitting Grunge Pop Vent Session

deary © Grace Easton
Features, Interviews, Music, Track-by-TrackNovember 5, 2024<November 5, 2024

“Anxious, Intense, & Fragile”: deary’s Dream Pop Universe Evolves and Expands With ‘Aurelia’ EP

Declan Welsh and the Decadent West "Inaction" © Graham Noble
Columns, Music, Today's SongNovember 5, 2024<November 5, 2024

Today’s Song: Declan Welsh and the Decadent West’s Feverish Anti-War Protest Anthem, “Inaction”

Sarah Klang © Fredrika Eriksson
Columns, Music, Today's SongNovember 4, 2024<November 2, 2024

The Beautiful, Brutal Ache of Sarah Klang & Fruit Bats’ Love Song, “Last Forever”

Friedberg © Lewis Vorn
Columns, Music, Today's SongNovember 3, 2024<January 6, 2025

Today’s Song: Friedberg’s “Hardcore Workout Queen” Is a Seductive & Cinematic Indie Pop Fever Dream

Tom A. Smith and swim school's Alice Johnson © 2024
Columns, Music, Today's SongNovember 2, 2024<November 1, 2024

Tom A. Smith’s Emotionally Charged Masterpiece, “I Don’t Want You to Have to Remember Me for Longer Than You Ever Knew Me” (ft. swim school)

Amahla © Justina Stasiunaite
Columns, Music, Today's SongNovember 1, 2024<November 1, 2024

“Please don’t waste my time when rent is due”: Amahla’s Inner Light Shines on “Money”

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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