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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Glass Animals "Creatures in Heaven" © Lillie Eiger
Music, Reviews, This Just InApril 10, 2024<April 10, 2024

“What do you think about when you think about love?”: Glass Animals Are Here, in the Moment, on “Creatures in Heaven”

RiTchie © Patrick Driscoll
Columns, Music, Today's SongApril 10, 2024<April 10, 2024

“Look who done came through”: Basking in the Dry Heat of RiTchie’s “Dizzy” ft. Aminé

fanclubwallet by Cole Yearwood
Features, Interviews, Music, Track-by-TrackApril 9, 2024<April 9, 2024

“Cartoonish Canadian Indie”: fanclubwallet’s ‘Our Bodies Paint Traffic Lines’ Is an Angsty Indie Rock Record of Friendship & Full Band Magic

Hannah Connolly by Cody Ackors
Music, PremieresApril 9, 2024<April 9, 2024

“Busy living on the outside”: The Dreamy, Restless Ache of Hannah Connolly’s “Shadowboxing”

Luke Francis © Jake Gombis
Music, PremieresApril 9, 2024<April 9, 2024

Premiere: Luke Francis’ “Go Home” Is a Heavy-Hearted Stroll Through Palm Springs

B-Drop
Music, PremieresApril 7, 2024<April 10, 2024

Premiere: B-Drop Worldwide Showcases Lily Kershaw, Alayna, & E. G. Daily

Emily Wurramara © Claudia Sangiorgi Dalimore
Columns, Music, Today's SongApril 4, 2024<April 4, 2024

“It’s a reflection on my life, my truth, my pain”: Dwelling in Emily Wurramara’s “Midnight Blues”

Medium Build © Tyler Krippaehne
Columns, Music, Reviews, This Just In, Today's SongApril 4, 2024<April 4, 2024

“Knowing you exist takes a load off me”: Basking in Medium Build’s Beautiful Love Song

Merce Lemon 'Will You Do Me A Kindness' © Nathan Cephas
Music, Reviews, This Just InApril 4, 2024<April 4, 2024

“Point the sun right into my flesh”: Merce Lemon’s “Will You Do Me a Kindness” Is a Cathartic Collage of Life’s Little Moments

Songs for the Canyon - John Vincent III
Features, Interviews, Music, Track-by-TrackApril 3, 2024<April 7, 2024

“What’s a little pain without sunshine?”: John Vincent III Spills His Heart & Soul in Sophomore Album ‘Songs for the Canyon’

Brimheim 'RATKING' © Andre Hansen
Features, Interviews, Music, Track-by-TrackApril 3, 2024<April 3, 2024

“Violent, But Beautiful”: Brimheim Is Unfiltered & Unleashed on ‘RATKING,’ a Bold, Breathtaking Record of Raw Humanity

Night Flight's Harry Phillips (left) and Sam Holmes (right) © 2024
Music, Reviews, This Just InApril 2, 2024<April 3, 2024

“Summer came and left along with you”: London’s Night Flight Return With “English Noise,” a Dreamy, Nostalgic Reverie

h. pruz © Felix Walworth
Columns, Music, Today's SongApril 2, 2024<April 2, 2024

“Forget everything else is real”: Basking in the Sweet Heat of h. pruz’s “Dark Sun,” an Intimate & Love-Soaked Indie Folk Daydream

Naomi Kimpenu © 2024
Music, Music Videos, PremieresApril 1, 2024<April 1, 2024

Premiere: East London’s Naomi Kimpenu Returns with “Naomi’s Lament,” a Soul-Stirring Ballad of Raw, Unfiltered Heartache

Bea and her Business © Lewis Vorn
Columns, Music, Today's SongMarch 29, 2024<March 29, 2024

“I’m a wet wipe”: London’s Bea and her Business Catches Big Feelings on “WOW!” an Irresistible Ode to Falling in Love

Posts pagination
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Recent Posts

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  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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