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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Lotusbliss © Keith Kaselampao
Music, Music Videos, PremieresFebruary 8, 2024<February 8, 2024

Premiere: Deafening and Silent, lotusbliss Blast Off With a Fiery Passion on “Tear Me Apart”

Hayley Reardon: Live at Starseed Studios © Chelsey Reardon
Interviews, Music, PremieresFebruary 8, 2024<February 8, 2024

Concert Premiere: Hayley Reardon Is Intimate, Up-Close & Personal on ‘Live at Starseed Studios’

Brown Horse © Katie Jones Barlow
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2024<February 7, 2024

Track-by-Track: Brown Horse’s ‘Reservoir’ Is a Haunting, Intimate Alt-Country Reverie

BAILEN - 'Tired Hearts' Deluxe Album © Erica Snyder
Features, Interviews, MusicFebruary 7, 2024<February 7, 2024

“Finding the beauty in all of that struggle”: BAILEN Discuss ‘Tired Hearts,’ a Breathtaking Record of Struggle, Connection, Hope, & Raw Humanity

Rec Hall © Charlie Park
Debut, Features, Interviews, MusicFebruary 6, 2024<February 6, 2024

“Raw emotion pins me to the ground”: Southern California’s Rec Hall Debut Their Sun-Kissed Indie Rock With ‘Localism’ EP

Sunny Reyne © Kadi Jatta
Debut, Features, Interviews, Music, Track-by-TrackFebruary 6, 2024<February 6, 2024

Track-by-Track: Melbourne’s Sunny Reyne Awakens Our Spirits on ‘I’ve Been Sleeping Too Long,’ Her Soul & Jazz-Drenched Debut

Talk Show © Ashley Rommelrath
Columns, Music, Today's SongFebruary 5, 2024<February 5, 2024

Today’s Song: Talk Show’s “Red/White” Is an Urgent, Unrelenting Post-Punk Fever Dream

Emily Wurramara © Claudia Sangiorgi Dalimore
Columns, Music, Today's SongFebruary 2, 2024<April 4, 2024

“A picture of a soul seeking freedom”: Emily Wurramara’s Mystical “Magic Woman Dancing” Is an Empowered & Impassioned Liberation

Hunter Metts © Brandon Exum
Features, Interviews, MusicFebruary 2, 2024<February 2, 2024

“A canvas for my grief”: Hunter Metts Discusses the Loss & Love at the Heart of “Somehow You’re Always There”

Jackie Lee McLean "All Mine" © Greer Cicarelli Creative
Music, PremieresFebruary 2, 2024<February 2, 2024

“I feel found”: Jackie Lee McLean Reintroduces Herself in “All Mine Now,” an Unflinching Self-Expression

Shannen James © Ellena Paskevicius
Debut, Features, Interviews, Music, Track-by-TrackFebruary 2, 2024<February 2, 2024

“A Warm Hug”: Shannen James’ Spirited Debut ‘Patchwork’ Is a Stunning, Sun-Kissed Soundtrack to Life

Juice Webster © Ryan Kenny
Features, Interviews, Music, Track-by-TrackFebruary 1, 2024<February 1, 2024

Feature: Juice Webster’s Diaristic Debut ‘JULIA’ Is Raw, Emotionally Charged, Cathartic & Exposed

Handsome Ghost's self-titled third album, released in August 2023
Features, Interviews, Music, Track-by-TrackFebruary 1, 2024<February 1, 2024

A Document of Life Itself: Handsome Ghost’s Achingly Introspective Alt-Folk Reverie

The Bygones © Brett Warren
Music, Music Videos, PremieresFebruary 1, 2024<February 1, 2024

“I’m glad I knew you”: The Bygones Process Grief & Gratitude in “Glad,” a Rich, Radiant Folk Reverie

Humbird © Juliet Farmer
Music, PremieresFebruary 1, 2024<February 1, 2024

Premiere: Humbird’s Soul-Stirring “Right On” Aches With Tender Folk & a Timeless Warmth

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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