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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Noah Kahan © Pooneh Ghana
Columns, Music, Today's SongFebruary 12, 2024<February 11, 2024

“I won’t be alone for the rest of my life”: Noah Kahan’s Intimate & Epic “Forever” Is a Beautiful Coda to ‘Stick Season’

Sabrina Song © Livy Wicks
Columns, Music, Today's SongFebruary 9, 2024<February 9, 2024

“Excess with no restraint”: Sabrina Song Embraces Vulnerability in “Okay, Okay,” an Impassioned Vow of Love

Alas, - Lily Seabird
Features, Interviews, Music, Track-by-TrackFebruary 8, 2024<February 8, 2024

“Nothing is permanent”: Inside Lily Seabird’s Dark, Dynamic, & Hopeful LP ‘Alas,’ a Record of Grief & Letting Go

Lotusbliss © Keith Kaselampao
Music, Music Videos, PremieresFebruary 8, 2024<February 8, 2024

Premiere: Deafening and Silent, lotusbliss Blast Off With a Fiery Passion on “Tear Me Apart”

Hayley Reardon: Live at Starseed Studios © Chelsey Reardon
Interviews, Music, PremieresFebruary 8, 2024<February 8, 2024

Concert Premiere: Hayley Reardon Is Intimate, Up-Close & Personal on ‘Live at Starseed Studios’

Brown Horse © Katie Jones Barlow
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2024<February 7, 2024

Track-by-Track: Brown Horse’s ‘Reservoir’ Is a Haunting, Intimate Alt-Country Reverie

BAILEN - 'Tired Hearts' Deluxe Album © Erica Snyder
Features, Interviews, MusicFebruary 7, 2024<February 7, 2024

“Finding the beauty in all of that struggle”: BAILEN Discuss ‘Tired Hearts,’ a Breathtaking Record of Struggle, Connection, Hope, & Raw Humanity

Rec Hall © Charlie Park
Debut, Features, Interviews, MusicFebruary 6, 2024<February 6, 2024

“Raw emotion pins me to the ground”: Southern California’s Rec Hall Debut Their Sun-Kissed Indie Rock With ‘Localism’ EP

Sunny Reyne © Kadi Jatta
Debut, Features, Interviews, Music, Track-by-TrackFebruary 6, 2024<February 6, 2024

Track-by-Track: Melbourne’s Sunny Reyne Awakens Our Spirits on ‘I’ve Been Sleeping Too Long,’ Her Soul & Jazz-Drenched Debut

Talk Show © Ashley Rommelrath
Columns, Music, Today's SongFebruary 5, 2024<February 5, 2024

Today’s Song: Talk Show’s “Red/White” Is an Urgent, Unrelenting Post-Punk Fever Dream

Emily Wurramara © Claudia Sangiorgi Dalimore
Columns, Music, Today's SongFebruary 2, 2024<April 4, 2024

“A picture of a soul seeking freedom”: Emily Wurramara’s Mystical “Magic Woman Dancing” Is an Empowered & Impassioned Liberation

Hunter Metts © Brandon Exum
Features, Interviews, MusicFebruary 2, 2024<February 2, 2024

“A canvas for my grief”: Hunter Metts Discusses the Loss & Love at the Heart of “Somehow You’re Always There”

Jackie Lee McLean "All Mine" © Greer Cicarelli Creative
Music, PremieresFebruary 2, 2024<February 2, 2024

“I feel found”: Jackie Lee McLean Reintroduces Herself in “All Mine Now,” an Unflinching Self-Expression

Shannen James © Ellena Paskevicius
Debut, Features, Interviews, Music, Track-by-TrackFebruary 2, 2024<February 2, 2024

“A Warm Hug”: Shannen James’ Spirited Debut ‘Patchwork’ Is a Stunning, Sun-Kissed Soundtrack to Life

Juice Webster © Ryan Kenny
Features, Interviews, Music, Track-by-TrackFebruary 1, 2024<February 1, 2024

Feature: Juice Webster’s Diaristic Debut ‘JULIA’ Is Raw, Emotionally Charged, Cathartic & Exposed

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Recent Posts

  • Editor’s Picks 164: Kam Franklin, Laz Lo, SOFY, venbee, Lottie McLeod, & Damin Tyler! August 21, 2026
  • Sturgill Simpson: The Outlaw Who Outlawed Himself August 21, 2026
  • “These Little Things… They Kind of Do Stick With Me”: For Wild Pink’s John Ross, There’s No Such Thing as an Ordinary Day on Sixth Album ‘Still Coming Down’ August 21, 2026
  • Atwood Magazine’s Weekly Roundup: August 21, 2026 August 21, 2026
  • “We’re So Brave When We’re Little. Then, for Some Reason, We’re Taught That It’s Safer Not to Be”: Anna Graves Gets Back to Herself on ‘America’s Greatest Burnout’ August 21, 2026
  • “I Don’t Have to Stop Feeling Deeply”: IAN SWEET Surrenders to Life on the Spellbinding ‘Shiverstruck’ August 20, 2026
  • “We Can All Be Strange Together”: Charming Disaster on ‘The Double,’ Creative Synchronicity, and Following “What If?” Wherever It Leads August 20, 2026
  • “I Have an Amazon Rainforest of Emotions”: MARIS Is the Pop Star of Your Dreams August 20, 2026
  • “The More I Think About It, I’m Just Doing Fine”: Mildred Unearth the Strange Poetry of Ordinary Life on “Fish Sticks” & Their Homespun Debut Album ‘Fenceline’ August 20, 2026
  • “If You Have Life, You Should Celebrate It”: Bad With Phones Channels Grief into a Propulsive Celebration of Life on “Human” August 19, 2026
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