• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Menajerie © 2023
Music, PremieresAugust 30, 2023<August 30, 2023

“Selective deafness, but now you know”: Menajerie’s Soul-Stirring “Holding Pattern” Is an Empowering & Emotionally Charged Seduction

Phosphene © Jeffrey Placencia
Music, PremieresAugust 30, 2023<August 30, 2023

A Bittersweet Romance: Phosphene Premiere Their Tender Tempest “Wandering” Off New Album ‘Transmute’

"i’m confident that i’m insecure" - Lawrence © Deanie Chen
Features, Interviews, MusicAugust 29, 2023<August 30, 2023

“I’m confident that I’m insecure”: Lawrence Are More Fun, Quirky, & Vulnerable Than Ever

Mick Flannery © Susie Conroy
Music, PremieresAugust 29, 2023<August 29, 2023

Premiere: Mick Flannery Explores the Arc of Life on “Young,” a Visceral & Radiant Reckoning

Beharie © Shawn Arvind
Music, PremieresAugust 29, 2023<August 29, 2023

Premiere: Beharie’s Soul-Stirring “We Never Knew” Is a Passionate Postmortem on Lost Love

Isaac Watters © Stone Shannon
MusicAugust 28, 2023<August 28, 2023

EP Premiere: The Gentle Warmth & Wonder of Isaac Watters’ ‘Extended Play 002’

Ester © Ash Dye
Music, PremieresAugust 28, 2023<August 28, 2023

Premiere: Ester’s “Seed, Sun, Soil” Is an Aching, Enchanting, & Tender Lament

Emma Gatrill © Sequoia Ziff
Columns, Music, Today's SongAugust 25, 2023<August 25, 2023

Today’s Song: The Wide-Eyed Wonder of Emma Gatrill’s “Adonis Blue”

Benét
Features, Interviews, MusicAugust 24, 2023<August 24, 2023

Intimate, Candid, & Provocative: Benét Talks Vulnerability & Making of Debut Album ‘Can I go again?’

Laura Zarougian
Music, PremieresAugust 24, 2023<August 24, 2023

“Turning reality on its head”: Laura Zarougian’s “Back to Me” Premieres With Achingly Raw Folk Charm

Course © Savannah Scruggs
Music, Music Videos, PremieresAugust 23, 2023<August 23, 2023

Premiere: Chicago’s Course Deliver a Synth-Soaked Inner Reckoning in “Too Busy for Feelings”

Hayley Reardon "Enough Is Everything" still © Blake Z. Larson
Music, PremieresAugust 23, 2023<August 23, 2023

“I held the world then put it back”: Hayley Reardon Bares Her Soul on the Achingly Vulnerable “Enough Is Everything”

Mega Ran © Jeff Moses
Music, Music Videos, PremieresAugust 23, 2023<February 1, 2024

Premiere: Mega Ran’s “Gimme the Fruit” (ft. Whitney Peyton) Is Sweet, Fun, & Certified Fresh

supergloom © Laura Moreau
Music, Music Videos, PremieresAugust 23, 2023<August 23, 2023

Premiere: supergloom’s Fever Dream “Glass Ajar” Is a Cathartic Release of Energy & Emotion

The Vaughns © Brian Hughes
Music, Music Videos, PremieresAugust 23, 2023<August 22, 2023

Premiere: The Vaughns Take It “Day By Day” in a Cathartic, Soul-Stirring Song of Grief, Love, & Cancer

Posts pagination
1 … 63 64 65 66 67 … 296

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services