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Nicole Almeida

Nicole Almeida

Is a dogs and music enthusiast, and spends most of her free time discovering new music, writing out thoughts, or photographing anything and anyone. An avid fan of Lady Bird, A24, and anything Saoirse Ronan and/or Timothée Chalamet related. Started a cactus collection she loves to talk about (they have names), and has very strong opinions on very random subjects like soup.

girl in red © Isak Jensen
Columns, Music, Today's SongSeptember 14, 2020<September 14, 2020

Today’s Song: girl in red’s Essential and Euphoric “rue”

Dream Wife © Sarah Piantadosi
Features, Interviews, MusicSeptember 4, 2020<September 4, 2020

A Little Dare: A Conversation with Dream Wife

Silly Boy Blue © Manu Fauque
Columns, Music, Today's SongSeptember 4, 2020<September 4, 2020

Today’s Song: Call Your Ex and Sing Silly Boy Blue’s “Hi, It’s Me Again”

Blush - Maya Hawke
Debut, Music, ReviewsAugust 24, 2020<August 24, 2020

Review: The Growing Pains of Maya Hawke’s Debut Album ‘Blush’

Softee © Alex Hass
Features, Interviews, Music, Music VideosAugust 14, 2020<August 14, 2020

A Hazy, Creative, and Colourful Collaboration: A Conversation with Softee and Eliza Scanlen

somegirlnamedanna © Catie Laffoon
Debut, Features, Interviews, MusicAugust 3, 2020<August 3, 2020

hello, this is somegirlnamedanna: On Honesty, Escapism, and Kitchen Tables

Dizzy © Pooneh Ghana
Features, Interviews, MusicJuly 31, 2020<August 11, 2020

All The Other Ways a Heart Can Break: A Conversation with Dizzy

Sufjan Stevens © 2020
Music, ReviewsJuly 29, 2020<July 29, 2020

Review: The Dissolution of Blind Faith, Then an Awakening in Sufjan Stevens’ “America” & “My Rajneesh”

Eliza & The Delusionals © Luke Henery
Features, Interviews, MusicMay 4, 2020<May 4, 2020

Feeling it All, and Then More: A Conversation with Eliza & The Delusionals

Features, Interviews, MusicApril 22, 2020<September 29, 2020

Reintroducing Maya Hawke: A Conversation about ‘Blush’, Poetry, and Identity

Jasmine Jethwa © Jenna Coombs
Debut, Features, Interviews, MusicMarch 18, 2020<April 16, 2020

In the Eye of the Hurricane: An Interview with Jasmine Jethwa

Cailin Russo © Naserin Bogado
Features, Interviews, MusicFebruary 27, 2020<February 27, 2020

Making the Most Out of ‘The Drama’: A Conversation with Cailin Russo

Beulahbelle © Connor Ellmann
Columns, Debut, Music, Today's SongFebruary 20, 2020<February 20, 2020

Today’s Song: Beulahbelle Fade In and Out of Love in Debut “Raleigh”

Columns, Music, Today's SongJanuary 31, 2020<January 31, 2020

Today’s Song: Soccer Mommy Pulls Back the Curtain on “circle the drain”

The 1975 © Nicole Almeida
Concerts, Music, ReviewsNovember 20, 2019<November 20, 2019

Live Review: It’s Time to Rebel with The 1975

Posts pagination
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Recent Posts

  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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