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Nicolle Knapová

Nicolle Knapová

Nicolle Knapová is a Czech writer, music journalist, and creative powerhouse with a Master’s degree in Creative Writing and Publishing from Bournemouth University. Now a contributing writer for Atwood Magazine, she specializes in emotionally rich song reviews that explore the intersection of music, memory, and identity. When she’s not analyzing lyrics or crafting moody fiction, Nicolle can be found hunting for the perfect playlist, romanticizing rainy afternoons, or working on her debut novel under the pen name Elise Caverly.

Alix Page © Logan Rauhut
Columns, Music, Today's SongAugust 7, 2025<August 7, 2025

When Good Love Isn’t Enough: Alix Page’s “Sweet” Holds the Exit Open

Kaleah Lee "Fever" © Ruth Lee
Columns, Music, Today's SongJuly 24, 2025<July 24, 2025

Dream Logic and Delicate Ache: Kaleah Lee’s “Fever” Is a Liminal Lullaby

Charlotte Lawrence 'Somewhere' album art
Debut, Music, Reviews, Track-by-TrackJuly 21, 2025<July 21, 2025

A Storm After the Drought: Charlotte Lawrence’s Debut LP ‘Somewhere’ Is a Pop Revelation

Of Monsters and Men © Eva Schram
Columns, Music, Today's SongJuly 16, 2025<July 16, 2025

“Television Love”: Of Monsters and Men Return With a Breath of Icelandic Stillness

Shallow Alcove © Thomas Smith
Columns, Music, Today's SongJuly 9, 2025<July 9, 2025

Bitter Sweetness in Bloom: Shallow Alcove’s “Mangos” Is a Slow Burn Worth Every Peel

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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