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Nicolle Knapová

Nicolle Knapová

Nicolle Knapová is a Czech writer, music journalist, and creative powerhouse with a Master’s degree in Creative Writing and Publishing from Bournemouth University. Now a contributing writer for Atwood Magazine, she specializes in emotionally rich song reviews that explore the intersection of music, memory, and identity. When she’s not analyzing lyrics or crafting moody fiction, Nicolle can be found hunting for the perfect playlist, romanticizing rainy afternoons, or working on her debut novel under the pen name Elise Caverly.

Sydney Rose © Kate Stephenson
Columns, Music, Today's SongAugust 20, 2025<August 20, 2025

Sydney Rose Captures the Quiet Ache of Friendship Heartbreak in “We Hug Now”

Kaleah Lee © Halle Jean March
Interviews, MusicAugust 19, 2025<August 27, 2025

“A Line I Shouldn’t Cross”: Kaleah Lee Talks “Fever,” Dreams, and the Beauty of the Unsettling

Etta Marcus "Wolf River" © 2025
Columns, Music, Today's SongAugust 12, 2025<August 12, 2025

Today’s Song: Etta Marcus Honors Jeff Buckley’s Legacy in the Haunting “Wolf River”

Alix Page © Logan Rauhut
Columns, Music, Today's SongAugust 7, 2025<August 7, 2025

When Good Love Isn’t Enough: Alix Page’s “Sweet” Holds the Exit Open

Kaleah Lee "Fever" © Ruth Lee
Columns, Music, Today's SongJuly 24, 2025<July 24, 2025

Dream Logic and Delicate Ache: Kaleah Lee’s “Fever” Is a Liminal Lullaby

Charlotte Lawrence 'Somewhere' album art
Debut, Music, Reviews, Track-by-TrackJuly 21, 2025<July 21, 2025

A Storm After the Drought: Charlotte Lawrence’s Debut LP ‘Somewhere’ Is a Pop Revelation

Of Monsters and Men © Eva Schram
Columns, Music, Today's SongJuly 16, 2025<July 16, 2025

“Television Love”: Of Monsters and Men Return With a Breath of Icelandic Stillness

Shallow Alcove © Thomas Smith
Columns, Music, Today's SongJuly 9, 2025<July 9, 2025

Bitter Sweetness in Bloom: Shallow Alcove’s “Mangos” Is a Slow Burn Worth Every Peel

Posts pagination
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Recent Posts

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  • “Who Gives a F*** About Landing?”: Spanish Love Songs Are Making Music for People Who Are Still in It January 27, 2026
  • “Am I faking or just mistaken?”: Cormac Trusts His Gut and Finds His Sound on “Defenceless” January 27, 2026
  • Essay: Front Row Salvation January 27, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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