February 11, 2023<February 10, 2023 Today’s Song: The Sublime Reveal of Depeche Mode’s Joyfully Melancholic “Ghosts Again” by David Buyze
February 10, 2023<April 2, 2023 Artist to Watch: South London’s Jasmine Jethwa Lights a Fire Inside with “Money to Burn” by Mitch Mosk
February 10, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: February 10, 2023 by Atwood Magazine Staff
February 9, 2023<February 9, 2023 Artist to Watch Michal Leah on the Ups, Downs, & Laughs of Her Journey So Far: A Conversation with an Old Friend by Nick Polak
February 9, 2023<February 9, 2023 “A Love Letter to Everyone’s Inner Child”: Indigo De Souza Mourns Lost Youth in “Younger & Dumber” by Sophie Severs
February 8, 2023<August 13, 2024 Editor’s Picks 87: Slow Fiction, M.A.G.S., Sofia Monroy, The Rocket Summer, Steady Holiday, & Roo Panes! by Mitch Mosk
February 8, 2023<February 8, 2023 Today’s Song: Vagabon’s “Carpenter” Captures the Beauty of Growth, Learning, and Complete Understanding by Lauren Turner
February 7, 2023<April 30, 2023 Podcast: Tunes & Tumblers Features Stacey Ryan and a Love Life Story by Atwood Magazine Staff
February 7, 2023<February 7, 2023 Today’s Song: Billie Marten Creates a Peaceful Safe Haven in “This Is How We Move” by Minna Abdel-Gawad
February 3, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: February 3, 2023 by Atwood Magazine Staff
February 3, 2023<February 2, 2023 Today’s Song: Cal in Red Shift into Gear with “Corvette” Off New EP, ‘On the Dance Floor’ by Beau Hayhoe
February 2, 2023<February 2, 2023 Today’s Song: Julia Michaels’ “Sorry To Me Too” Is Vulnerable, Heartbreaking, & Filled with Self-Empowerment by Lauren Turner
February 1, 2023<March 16, 2023 Editor’s Picks 86: Stephen Sanchez, Ken Yates, JOSEPH, Young Fathers, LULLANAS, & Hayfitz! by Mitch Mosk
February 1, 2023<February 1, 2023 Today’s Song: “Hold Yourself Together” Is Evelyn Frances’ Haunting Love Letter to New York City by Mitch Mosk
For the Love of Music
For the Love of Music
