November 22, 2022<November 22, 2022 Today’s Song: Smut Blend Past & Present on Hazy, ‘90s-Tinged Rocker “Supersolar” by Beau Hayhoe
November 21, 2022<November 21, 2022 Today’s Song: Rebecca Black Fiercely Enters the Future with “Crumbs” by Frankie Rose
November 18, 2022<November 18, 2022 Atwood Magazine’s Weekly Roundup: November 18, 2022 by Atwood Magazine Staff
November 18, 2022<November 18, 2022 Today’s Song: Francesca Blanchard’s “Je sais plus quoi te dire” Is a Caricatural, Playful Take on Rejection by Frankie Rose
November 15, 2022<November 15, 2022 Today’s Song: Singer/Songwriter TJ Stafford Displays a Sensitive Side in “The World’s Gonna Love Me” by Chloe Robinson
November 11, 2022<May 18, 2023 Today’s Song: The Raw Vulnerability of Dizzy’s “Barking Dog” by Frankie Rose
November 10, 2022<November 3, 2022 Today’s Song: “Love Will Get You There” in Inhaler’s Latest Track by Isabella Le
November 9, 2022<March 11, 2023 Editor’s Picks 79: Overcoats, The Coronas, First Aid Kit, Liv.e, props, & Rocky Votolato! by Mitch Mosk
November 8, 2022<November 1, 2022 Today’s Song: Local Natives’ Kelcey Ayer Returns as Jaws of Love with Heartbreakingly Beautiful “Rainbow Baby” by Beau Hayhoe
November 7, 2022<October 30, 2022 Today’s Song: Linebeck’s Catchy “Waste My Time” Is a Cinematic & Hazy Dream Pop Tempest by Mitch Mosk
November 4, 2022<November 3, 2022 Today’s Song: blink-182’s “EDGING” Kickstarts a New Era with High Spirits by Isabella Le
November 4, 2022<November 3, 2022 Atwood Magazine’s Weekly Roundup: November 4, 2022 by Atwood Magazine Staff
November 3, 2022<October 30, 2022 Former Jungle Vocalist ANDRO Opens Up in Soul-Stirring “Natural,” a Buoyant & Brooding Embrace of Intimacy by Mitch Mosk
November 2, 2022<November 2, 2022 Today’s Song: Loviet’s Searing “Wide Eyes” Is an Emotionally Charged Love Letter with Teeth by Mitch Mosk
November 1, 2022<March 11, 2023 Trauma, Defiance, & Hope: UK’s Asylums Soar Triumphant on 4th LP, ‘Signs of Life’ by Mitch Mosk
For the Love of Music
For the Love of Music
