February 26, 2024<February 26, 2024 “How in the world can we go on?”: Trauma, Grief, & the Raw Ache of Linn Koch-Emmery’s “Ebay Armour” by Mitch Mosk
February 24, 2024<February 24, 2024 Today’s Song: Kota the Friend Leaves No Room for Greed on “Alabama Hills” by Aidan Mega
February 23, 2024<March 15, 2024 Atwood Magazine’s Weekly Roundup: February 23, 2024 by Atwood Magazine Staff
February 23, 2024<February 23, 2024 “My whole life is the proof, live the life that I choose”: Kareen Lomax’s “Remedy” Is an Alt-R&B Self-Love Anthem by Mitch Mosk
February 23, 2024<February 23, 2024 “Hold your ground before it swallows you whole”: UK Artist-to-Watch TEE Is Unpacking Emotion, One Song at a Time by Mitch Mosk
February 22, 2024<February 22, 2024 “How did you get my world to spin again?”: flor Shine on “Same Color as the Sun,” a Radiant Anthem of Love & Light by Mitch Mosk
February 21, 2024<February 21, 2024 The Staves’ “I’ll Never Leave You Alone” Is a Beautiful Folk Song of Identity, Acceptance, and the Multitudes Within Us by Mitch Mosk
February 20, 2024<February 20, 2024 “I’m missing the waves, I wanted to crash”: Luna Shadows’ “little rituals” Finds Liberation in Unabashed Deep Feeling by Rachel Leong
February 19, 2024<February 19, 2024 “When All You Can Manage Is a Sigh”: The Achingly Raw Fragility of Georgia Gets By by Mitch Mosk
February 18, 2024<February 18, 2024 Today’s Song: wilt Breathe New Life into Grunge & Elevate the Genre With “moved along” by Audrey Connelly
February 17, 2024<February 17, 2024 “No regrets, baby”: Kacey Musgraves Makes a Fresh Start in “Deeper Well,” a Song of Self-Empowerment & Letting Go by Lauren Turner
February 16, 2024<February 22, 2024 Atwood Magazine’s Weekly Roundup: February 16, 2024 by Atwood Magazine Staff
February 16, 2024<February 16, 2024 Today’s Song: Victoria Victoria Climbs “Jacob’s Ladder” in a Warm, Intimate Alt-Folk Dream by Mitch Mosk
February 15, 2024<February 15, 2024 “Watching as your words unwind”: Brooklyn’s Hipsy Gap “Fantasize” With an Aching Indie Rock Reverie by Mitch Mosk
February 15, 2024<February 15, 2024 The Transcendent “Les Fleurs” Is Minnie Riperton’s Hidden Gem by Audrey Connelly
For the Love of Music
For the Love of Music
