November 14, 2024<November 14, 2024 Trauma, Heartache, & Healing: Melbourne’s Bec Sykes Delves into the Intimate Alt-Folk Depths of Debut LP ‘Pepperpot Magic’ by Mitch Mosk
November 7, 2024<November 7, 2024 Interview: Brooke Alexx on Authenticity and the DIY Approach Behind ‘Big Mouth’ by Frankie Rose
November 4, 2024<November 4, 2024 Interview: Adam Paddock Is in a Lifelong Pursuit of Excellency by Noah Wade
November 1, 2024<November 1, 2024 “Earnest, Intimate, & Resigned”: The Clearwater Swimmers Find Catharsis & Connection on Their Achingly Raw Debut by Mitch Mosk
November 1, 2024<November 1, 2024 “I’m still alive and I’m still hungry”: Tangerine’s Expansive, Ethereal, & Bittersweet Debut, ‘You’re Still the Only One’ by Mitch Mosk
October 30, 2024<October 30, 2024 Track-by-Track: The Intoxicating Allure of Jake & Abe’s Funky, Sweaty, & Seductive Debut Album, ‘Finally!’ by Mitch Mosk
October 24, 2024<October 24, 2024 Premiere: London Duo Oh My Sun Debut With “5 Pieces,” a Dreamy, Sweet, & Sun-Kissed Seduction by Mitch Mosk
October 24, 2024<October 24, 2024 Interview: ellipse Debuts New Alias and Talks Transformation, Rebirth, & Sultry “Poison” by Rachel Leong
October 23, 2024<October 23, 2024 Premiere: Seattle’s Painted Vein Dwells in Darkness & Hope on Grungy “My Well” by Mitch Mosk
October 21, 2024<October 21, 2024 “I just assumed the people around me knew more”: Genevieve Stokes on Finally Coming into Her Own on Debut Album ‘With a Lightning Strike’ by Alexandra Jhamb Burns
October 18, 2024<October 25, 2024 Introducing Sydney Quiseng: Echosmith’s Frontwoman on Her New Solo Career by Emily Frances Algar
October 18, 2024<October 18, 2024 “Psychedelic Family Roadtrip”: Nick Ward Dives into Himself on Debut Album ‘House With the Blue Door’ by Mitch Mosk
October 18, 2024<October 18, 2024 “Full of Life”: Annika Bennett Talks Artistic Freedom, John Mayer, & Her Debut Album ‘Live From Mother Earth’ by Kelly McCafferty Dorogy
October 11, 2024<October 11, 2024 “Complex, Honest, & Mercurial”: Pillow Fite Unpack Their Unapologetic Debut Album ‘Hard Feelings, Soft Promises’ by Mitch Mosk
October 10, 2024<October 10, 2024 Review: LOEMA’s Debut EP ‘Flowers for No One’ Is an Emotional Journey into Heartbreak’s Deepest Corners by Guest Writer
For the Love of Music
For the Love of Music
