June 9, 2022 June 9, 2022 ‘You Have Got To Be Kidding Me’: fanclubwallet Dives into the Pop-Fueled Chaos of Her Debut Album by Mitch Mosk
June 9, 2022 June 11, 2022 “There is still beauty, even amidst all the darkness”: Inside Companion’s Sweet & Softly Radiant Debut ‘Second Day of Spring’ by Mitch Mosk
June 8, 2022 June 8, 2022 Album Premiere: “Mr. Texas Soul” Micah Edwards Shares His Heartbreaking, Hopeful, & Redeeming Debut ‘Jean Leon’ by Mitch Mosk
June 8, 2022 June 8, 2022 Inside Sister Ray’s Unfiltered & Liberating Debut ‘Communion’: “If anybody’s gonna get crucified, I want it to be me tonight” by Mitch Mosk
June 8, 2022 June 8, 2022 Gretchen Klempa Doesn’t Want to Say Goodbye in Debut Single “Drunk at Your Funeral” by Joe Beer
June 6, 2022 June 6, 2022 Feature: Sunflower Thieves Shine on Emotive, Heartfelt, & Comforting Debut ‘Someone to Be There For’ by Mitch Mosk
May 27, 2022 May 27, 2022 ‘Love Upside Down’ (and Inside Out): Fergus Dives into His Stunningly Beautiful Debut Album by Mitch Mosk
May 24, 2022 September 29, 2022 “Perspective & Nostalgia”: Eliza & The Delusionals Shine on Their Triumphant Coming-of-Age Debut, ‘Now and Then’ by Mitch Mosk
May 23, 2022 May 23, 2022 A Place to Belong: A Track-by-Track Review of MOONWOOD’s ‘Everything We Once Knew’ by Joe Beer
May 20, 2022 May 23, 2022 “Spiraling, Lush, & Bright”: Seattle’s Sea Lemon Is ‘Close Up’ & Personal on Dazzling, Dreamy Debut EP by Mitch Mosk
May 17, 2022 May 19, 2022 “World’s Hardest Soft Rock”: Ontario’s Ellevator Ignite on Debut ‘The Words You Spoke Still Move Me’ by Mitch Mosk
May 16, 2022 May 16, 2022 “Ultra, Intimate, & Layered”: November Ultra Breaks Down Her Debut Album ‘bedroom walls’ by Mitch Mosk
May 13, 2022 May 16, 2022 “Digital Age Ruminations”: Inside Mild West’s Dark & Cinematic Debut Album, ‘Machine Learning’ by Mitch Mosk
May 12, 2022 May 12, 2022 Interview: Pictoria Vark Opens Up a World of Possibility with Debut ‘The Parts I Dread’ by Sophie Prettyman-Beauchamp
For the Love of Music
For the Love of Music
