June 16, 2023<June 16, 2023 Preview: The 2023 Peach Music Festival Brings Music on the Mountain by Christopher Snyder
June 16, 2023<July 10, 2023 2023 Bonnaroo Music & Arts Festival Preview: The Ultimate Camping Music Festival Featuring Odesza, Kendrick Lamar, Foo Fighters, & More! by Nick Polak
June 16, 2023<June 16, 2023 The Biggest Small EDM Festival in the World: A Preview of Breakaway Kansas City 2023! by Nick Polak
June 16, 2023<June 15, 2023 “Permission to Be Exactly Who You Are”: A Pride Month Essay by Samantha Bowers of Sammy Rae & The Friends by Guest Writer
June 15, 2023<June 15, 2023 Fans of Oldies & Indie, This One’s for You: A Review of Riverbend Festival 2023! by Nick Polak
June 14, 2023<June 15, 2023 Editor’s Picks 102: Birthh, The Mysterines, Angie McMahon, Katelyn Tarver, Katherine Li, & The Japanese House! by Mitch Mosk
June 14, 2023<July 14, 2023 Podcast: Tunes & Tumblers Features Ryan Ritual and a Love Lost by Atwood Magazine Staff
June 14, 2023<June 14, 2023 “A healed person will make better music”: BJ the Chicago Kid Leads With Self-Care by Ankita Bhanot
June 13, 2023<June 14, 2023 “I’m a Romantic Nihilist”: Savannah Conley Discusses Songwriting, Mental Health, & Her Breathtakingly Vulnerable Debut Album by Mitch Mosk
June 13, 2023<June 13, 2023 Despite All Odds: BTS, the Underdogs Turned Biggest Boy Band in the World, Celebrate Their 10-Year Anniversary by Freya Rinaldi
June 13, 2023<June 13, 2023 Today’s Song: The Raw Verve & Vulnerability of LAPêCHE’s Seasonally-Charged “Mermaid Blues (V1)” by Mitch Mosk
8 June 13, 2023<June 13, 2023 Our Take: Christine and the Queens’ ‘ PARANOÏA, ANGELS, TRUE LOVE’ Tackles Self-Discovery, Love, & ‘Angels in America’ by Julia Dzurillay
June 13, 2023<June 13, 2023 Premiere: Seattle’s Small Shake Debuts with “Imposter,” a Grunge-Pop Anthem for the Uncool by Mitch Mosk
For the Love of Music
For the Love of Music
