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Madeleine Eggen

Madeleine Eggen

Madeleine Eggen is a New York-based writer and Sarah Lawrence College graduate. She enjoys music journalism, feature writing, digital humanities, and the art of the ridiculously intricate playlist. Madeleine can be reached at madeleine.eggen[at]gmail.com!

Daffo © Nolan Knight
Artist to Watch, Debut, Features, Interviews, MusicOctober 3, 2025<October 3, 2025

Looking for a “Quick Fix”? Daffo’s ‘Where the Earth Bends’ Is a Raw Reflection on Confronting Your Vices

Runnner 'A Welcome Kind of Weakness' © Maya Ragazzo
Features, Interviews, MusicSeptember 10, 2025<September 5, 2025

Reflection, Restlessness, and a Set of Car Keys: A Conversation with Runnner’s Noah Weinman on ‘A Welcome Kind of Weakness’

Annie DiRusso © Danica Robinson
Debut, Features, Interviews, MusicApril 16, 2025<April 16, 2025

“It’s me getting myself where I need to go”: Annie DiRusso Explores the Art of Growing Up with Debut Album, ‘Super Pedestrian’

The Japanese House's Amber Bain © Carissa Gallo
Features, Interviews, MusicAugust 2, 2024<August 2, 2024

The Japanese House Has Nothing to Hide: Amber Bain on Queerness, Artistry, & Honesty

The Greeting Committee © Tyler Krippaehne
Features, Interviews, MusicJuly 17, 2024<July 23, 2024

Interview: The Greeting Committee Cycle from Pondering to Pop with ‘Everyone’s Gone and I Know I’m the Cause’

of Montreal's Kevin Barnes © Shervin Lainez
Features, Interviews, MusicMay 16, 2024<May 16, 2024

“I see myself as a pirate in a lot of ways”: of Montreal’s Kevin Barnes Talks New Album ‘Lady on the Cusp’ & Embracing Unpredictability

Bright Future - Adrianne Lenker © Germaine Dunes
Music, ReviewsApril 5, 2024<April 5, 2024

“To the ocean of your love, I am a river”: Adrianne Lenker Has Crafted a ‘Bright Future’ with Her Latest Album

Goo Goo Dolls © Claire Marie Vogel
Features, Interviews, MusicNovember 7, 2022<March 11, 2023

“Just Keep At It, Man”: Goo Goo Dolls’ Robby Takac on Donuts, New York, & New Album ‘Chaos in Bloom’

Jukebox the Ghost © Shervin Lainez
Features, Interviews, MusicAugust 17, 2022<September 29, 2022

“We’re a Little Bit Ridiculous”: Jukebox the Ghost’s Ben Thornewill Talks Band’s Early Years, His Love for Chaos, & New Album ‘Cheers’

Wasia Project © 2022
Music, ReviewsJuly 21, 2022<July 13, 2022

Review: Wasia Project’s Debut EP ‘how can i pretend?’ Is Your Next Heartstopper

Flowers of palo © 2022
Columns, Music, Today's SongJune 23, 2022<June 23, 2022

Today’s Song: Flowers of palo Are Blossoming into the Next Indie Powerhouse with “Soho Abode”

Recent Posts

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  • “We Can All Be Strange Together”: Charming Disaster on ‘The Double,’ Creative Synchronicity, and Following “What If?” Wherever It Leads August 20, 2026
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  • “The More I Think About It, I’m Just Doing Fine”: Mildred Unearth the Strange Poetry of Ordinary Life on “Fish Sticks” & Their Homespun Debut Album ‘Fenceline’ August 20, 2026
  • “If You Have Life, You Should Celebrate It”: Bad With Phones Channels Grief into a Propulsive Celebration of Life on “Human” August 19, 2026
  • “I Learned How to Speak My Mind”: Grace Ives on Independence, Inner Critics, and Her Bold, Restless Third Album, ‘Girlfriend’ August 19, 2026
  • “Open Your Mouth and Sing!”: Danni Nicholls Lets Intuition Lead on the Warm, Soul-Searching Americana of ‘Making Moves’ August 19, 2026
  • “I’m a Loser”: Ax and the Hatchetmen Admit Their Flaws on Rebellious Summer Anthem “Loser” August 19, 2026
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  • Inside Phoebe Bridgers’ Dazzling ‘Lost Weekend’ Planetarium Experience August 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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