November 11, 2025<November 11, 2025 Live Review: Cornelia Murr Finds Chemistry, Confidence & Communion at Toad’s Place by Marc Maleri
November 11, 2025<November 11, 2025 Today’s Song: Total Wife Punch the Gas on “make it last” by Will Yarbrough
November 10, 2025<November 10, 2025 “The Making of ‘daisy’ – and Why It’s Not on Streaming”: An Essay by Leilani Patao by Guest Writer
November 10, 2025<November 10, 2025 Premiere: Chicago’s Billy Joel Jr. Shine Bright on “Ur a Star,” a Raw Indie Rock Anthem of Self-Worth & Sincerity by Mitch Mosk
November 10, 2025<November 10, 2025 The Rise and Fall of an Angel: Wes Parker’s EP ‘fantom’ & Defiant Artistry by Rachel Leong
November 10, 2025<November 10, 2025 Interview: Vincent Mason Turns Bedroom Demos into a Breakthrough Debut With ‘There I Go’ by Aileen Goos
November 10, 2025<November 10, 2025 Genesis Owusu Takes a Spiky, Punky Swipe at the Alt-Right on “DEATH CULT ZOMBIE” by Adam Davidson
November 8, 2025<November 8, 2025 Artist to Watch: East London’s James Smith Dazzles with the Timeless, Soulful & Smoldering “Dancing with You (Baby)” – A Modern Classic in the Making by Mitch Mosk
November 7, 2025<November 7, 2025 “Obsession, Breakdown, Chaos, and Ascent”: BENEE Breaks Down Her Sophomore Album, ‘Ur An Angel I’m Just Particles’ by Nasim Elyasi
November 7, 2025<November 7, 2025 Today’s Song: JISOO and ZAYN Deliver a Tender Pop Moment with “EYES CLOSED” by Danielle Holian
November 7, 2025<November 7, 2025 “It’s a loving goodbye”: Box Blonde Turns Heartbreak into High Art on “I Watch You Watch Her” by Atwood Magazine Staff
November 6, 2025<November 7, 2025 Artist to Watch: Winyah Unleash Swagger, Grit, & Drive on “Lala,” a Feverish Anthem from One of Indie Rock’s Hottest Bands by Mitch Mosk
November 6, 2025<November 6, 2025 Editor’s Picks 136: Ber, Mini Trees, Joviale, Now, Now, Just Penelope, & The Brook & The Bluff! by Mitch Mosk
November 6, 2025<November 6, 2025 Premiere: FRANK Channels Fire & Fury into “Steady Hands,” a Blistering Alt-Rock Anthem of Survival and Defiance by Mitch Mosk
November 6, 2025<November 6, 2025 Roundtable Discussion: A Review of Florence + The Machine’s ‘Everybody Scream’ by Atwood Magazine Staff
For the Love of Music
For the Love of Music
