July 22, 2026<August 8, 2026 “It Seems Too Personal When We’re Not Friends”: Brooke Annibale’s Achingly Sweet “Birthday” Captures the Awkward Afterlife of Friendship by Mitch Mosk
9 July 22, 2026<July 22, 2026 Our Take: Gracie Abrams Alchemizes Her Pain into a Cathartic Symphony on ‘Daughter from Hell’ by Emily Weatherhead
July 21, 2026<July 22, 2026 “I Hate Myself, So I Turn It Into Art”: Medium Build Rips Through Every Defense Mechanism on “Armor,” a Feverish Reckoning with the Terror of Being Known by Mitch Mosk
July 21, 2026<July 23, 2026 “The Music Is the Softest Part of Me”: Fenne Lily on Saying “Uh Huh” to Love – Even When It Hurts by Mitch Mosk
July 21, 2026<July 21, 2026 “A Safe, Magical Space for People to Live Inside Of”: mary in the junkyard Are in the Business of Worldbuilding on Debut Album ‘Role Model Hermit’ by Olivia Martinez
July 21, 2026<July 21, 2026 “Can Someone Please Help Me Out?”: Saudi Oil Make Panic Public on “Wires,” a Jagged, Feverish Riot From NYC’s Frayed Nerves by Mitch Mosk
July 21, 2026<July 21, 2026 “Hold Me Like You Used to Do”: Luca Wilding Bathes Maternal Love in Boundless Light on “Ocean Mother,” a Soul-Stirring Dream-Folk Reverie by Mitch Mosk
July 20, 2026<July 20, 2026 “I Was All Raw Emotion”: Houndmouth Drag Themselves Back into the Light on ‘Lordy’ by Mitch Mosk
July 20, 2026<July 20, 2026 “Who Owns Who?”: Cara Delevingne Finds Her Voice on the Electrifying, Emotionally Razor-Sharp “Need It” by Danielle Holian
July 20, 2026<July 20, 2026 Track-by-Track: MOMO. Unpacks ‘Tum Tum Tum,’ an Album of Rhythm, Memory, and the Spaces In-Between by Joe Beer
July 20, 2026<July 21, 2026 Oneness, Serendipity, & Songwriting: A Conversation with Mallory Feuer of The Grasping Straws by Lily O'Delia
July 18, 2026<July 18, 2026 “Justice, an Obsession”: U2’s “Street of Dreams” Is a Defiant Anthem of Hope and Empowerment for Today’s World by David Buyze
July 17, 2026<July 17, 2026 “Only Real Human Connection Will Save Us”: Valley Are Still Choosing Each Other as “Vending Machine” Kicks Open a Loud, Unapologetic, & Playful New Era by Mitch Mosk
July 17, 2026<August 18, 2026 “Will the Light Still Win?”: Joshua Jensen Debuts with Grace & Thunder on “Hoping,” a Towering Folk-Rock Prayer Against Despair by Mitch Mosk
July 17, 2026<July 17, 2026 “Inspiration and Curiosity”: Dirtwire Turn Global Sound into a Universal Language by Ashley Littlefield
For the Love of Music
For the Love of Music
