February 18, 2026<March 16, 2026 ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada by Damien Joyce
February 18, 2026<February 18, 2026 “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet by Aileen Goos
February 18, 2026<February 18, 2026 “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time by Mitch Mosk
February 17, 2026<February 17, 2026 “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie by Mitch Mosk
February 14, 2026<February 14, 2026 “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired by Danielle Holian
February 13, 2026<February 13, 2026 Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! by Mitch Mosk
February 13, 2026<February 13, 2026 Lucy Kruger & The Lost Boys Traverse Sticky-Sweet Sonics on ‘Pale Bloom’ by Marissa DeLeon
February 13, 2026<February 13, 2026 Angel Du$t Harken Back to Their Hardcore Roots on Ripping New Album ‘COLD 2 THE TOUCH’ by James Crowley
February 13, 2026<February 12, 2026 “You’re Only Human, Honey”: Holly Humberstone Embraces Love’s Highest Highs & Hardest Truths on “To Love Somebody,” a Glistening, Gut-Punch Anthem by Mitch Mosk
February 12, 2026<February 12, 2026 “I Can’t Heal Myself”: Toronto Darkwave Duo TRAITRS Descend into Looping Nightmares and Identity Erosion on “Dream Drowning” by Mitch Mosk
February 12, 2026<February 12, 2026 Don’t Take Their “Love to Go”: Edgehill Declare Their Hearts Aren’t Disposable on Fan Favorite Anthem by Miranda Urbanczyk
February 11, 2026<February 11, 2026 Live Review: Stepping Inside Def Leppard’s Monumental Caesars Palace Residency by Emma Schoors
February 11, 2026<February 11, 2026 “I’m Not Waiting to Die Next to Some Boring Guy Ever Again”: Tinsley Turns Post-Breakup Freedom into Playful Petty Power on “Bad Enough” by Mitch Mosk
February 11, 2026<February 11, 2026 “Writing a Song to Meet the Moment”: An Essay by Boy Golden by Guest Writer
For the Love of Music
For the Love of Music
