September 25, 2024<October 2, 2024 “Just chasing the music”: Chance Peña Goes Track-by-Track Through His Debut LP ‘Ever-Shifting, Continual Blossoming,’ a Soul-Stirring Labor of Love by Mitch Mosk
September 25, 2024<September 25, 2024 “I didn’t earn my stripes until I threw a punch”: Melbourne’s Holly Hebe Is Embracing Identity Crises & Self-Discovery on Dreamy Anthem “Bottle Blonde” & ‘Ruby’ EP by Mitch Mosk
September 25, 2024<September 25, 2024 Live Review: The Spirit Appears at the Kid Lake Show in Ridgewood, Queens by Hannah Burns
September 25, 2024<September 26, 2024 “I have always been drawn to the in-between stuff”: Porches on His Supersaturated and Sonorous LP, ‘Shirt’ by Nasim Elyasi
September 25, 2024<September 25, 2024 Review: Dora Jar’s Debut Album ‘No Way to Relax When You Are on Fire’ Cements Her As a Trailblazer & All-Around Champion of Pop by Olivia Martinez
8 September 25, 2024<September 24, 2024 Our Take: LL Cool J Cements Hip-Hop Legend Status With ‘THE FORCE’ by Josh Weiner
September 24, 2024<September 24, 2024 Today’s Song: Peach Pit Question If We Only Love ‘Just for the Rush’ on New Single “Did You Love Somebody” by Marc Maleri
September 24, 2024<September 24, 2024 Premiere: The Gentle Heartache & Breathtaking Beauty of Emile Mosseri’s “Don’t Fall Back So Easily” by Mitch Mosk
September 24, 2024<September 24, 2024 Premiere: Toronto’s ARK IDENTITY Channels Conviction into Hazy Dream Pop on “Bleed Out in the Night” by Mitch Mosk
September 23, 2024<September 24, 2024 Atwood Magazine’s Weekly Roundup: September 23, 2024 by Atwood Magazine Staff
September 23, 2024<September 23, 2024 “Something’s Gotta Break”: Bo Staloch Lets Go of Fear in “Santa Fe,” His Spirited Folk Rock Singalong by Mitch Mosk
September 23, 2024<September 23, 2024 Track-by-Track: Juliet Ivy Soundtracks Existential Girlhood With Soul-Baring EP ‘tiny but scary’ by Mitch Mosk
September 23, 2024<September 23, 2024 Roundtable Discussion: Chappell Roan’s ‘The Rise and Fall of a Midwest Princess’ Turns 1 by Atwood Magazine Staff
September 23, 2024<September 23, 2024 Review: Melt-Banana Continue a 30-Year Streak of Excellence With ‘3+5,’ a Bold, Creative, & Face-Melting Noise Rock Masterpiece by Jake Fewx
For the Love of Music
For the Love of Music
