March 22, 2023<April 30, 2023 Premiere: Transviolet Bask in the Light of Life on Euphoric “How Lucky” Off Third LP, ‘BODY’ by Mitch Mosk
March 22, 2023<April 30, 2023 “I’ve Dedicated My Life to Fighting the Patriarchy”: An Essay by Nicole Moudaber for Women’s History Month by Guest Writer
March 22, 2023<April 30, 2023 Premiere: “baby, get your ticket” Is Tarune’s Tender, Soul-Stirring Mantra of Love & Longing by Mitch Mosk
March 22, 2023<April 30, 2023 Premiere: Woz’s “How I’m Gonna Go” Is a Hauntingly Intimate, Achingly Raw Reckoning in the Dark by Mitch Mosk
March 22, 2023<January 30, 2024 Today’s Song: The Japanese House Rewrites History with New Single “Boyhood” by Nasim Elyasi
March 21, 2023<April 30, 2023 Live Review: LØREN Makes a Mark with First Stateside Performances at SXSW 2023! by Freya Rinaldi
March 21, 2023<April 30, 2023 Interview: Black Honey’s Izzy Bee Phillips Talks Mental Health, Vulnerability, & New Album ‘A Fistful of Peaches’ by Mitch Mosk
March 21, 2023<April 30, 2023 Fun, Feverish, & Freeing: Banji Take a Bite out of Life on Zesty Debut Album ‘Freshcakes’ by Mitch Mosk
March 21, 2023<April 30, 2023 Today’s Song: girlhouse’s Lauren Luiz Shares an Intimate Look into Relationships and Proves She’s “worth it” by Brianna Corrine
March 20, 2023<April 30, 2023 “If you can take the fall, how high do you wanna be?”: Joesef’s Stunning, Soul-Soaked Debut Album ‘Permanent Damage’ by Mitch Mosk
March 20, 2023<April 30, 2023 Premiere: Meadowlark’s “What’s It Like to Love Me” Is an Intimate, Vulnerable Song for the Anxiously Attached by Mitch Mosk
March 20, 2023<April 30, 2023 Interview: DJ Pink Palindrome Amidst the Sarajevo Music Scene by David Buyze
March 20, 2023<April 30, 2023 “I’m not going to sleep with you”: An Essay by Ollella for Women’s History Month by Guest Writer
March 20, 2023<April 30, 2023 Sweet & Twangy, “Kick in the Teeth” Marks a New, Simpler Era of Music for Hippo Campus by Claire Meyer
For the Love of Music
For the Love of Music
