February 21, 2024<February 24, 2024 Live Review: Ryan Beatty’s Breathtaking, Awe-Inspiring ‘Calico’ Tour Comes to Houston, TX by Kelly McCafferty Dorogy
February 21, 2024<February 21, 2024 The Staves’ “I’ll Never Leave You Alone” Is a Beautiful Folk Song of Identity, Acceptance, and the Multitudes Within Us by Mitch Mosk
February 21, 2024<February 21, 2024 Premiere: Sophian’s Mesmerizing “Dance With Me” Encourages the Ideality of Trusting & Believing in Oneself by Lauren Turner
February 21, 2024<February 21, 2024 Track-by-Track: Varsity Measure a Year in the Life With ‘Souvenirs,’ Their Sweeping & Soaring 4th Album by Mitch Mosk
February 20, 2024<February 20, 2024 “I’m missing the waves, I wanted to crash”: Luna Shadows’ “little rituals” Finds Liberation in Unabashed Deep Feeling by Rachel Leong
February 20, 2024<February 22, 2024 “If I wanted to hate my job, I could be an accountant”: Linying Pushes into Her Next Phase With ‘House Mouse’ EP by Leo Culp
February 20, 2024<February 20, 2024 “Under my skin is where you hide”: Hans Williams on Overcoming Imposter Syndrome, His Debut EP, & Folk Music’s Renaissance by Mitch Mosk
February 20, 2024<February 20, 2024 Danielle Durack Uses Humor & Poignancy to Tread the Human Condition on ‘Escape Artist’ by Kevin Krein
February 19, 2024<February 19, 2024 “When All You Can Manage Is a Sigh”: The Achingly Raw Fragility of Georgia Gets By by Mitch Mosk
February 18, 2024<February 18, 2024 Today’s Song: wilt Breathe New Life into Grunge & Elevate the Genre With “moved along” by Audrey Connelly
February 17, 2024<February 17, 2024 “No regrets, baby”: Kacey Musgraves Makes a Fresh Start in “Deeper Well,” a Song of Self-Empowerment & Letting Go by Lauren Turner
February 16, 2024<February 22, 2024 Atwood Magazine’s Weekly Roundup: February 16, 2024 by Atwood Magazine Staff
February 16, 2024<February 16, 2024 Today’s Song: Victoria Victoria Climbs “Jacob’s Ladder” in a Warm, Intimate Alt-Folk Dream by Mitch Mosk
February 16, 2024<February 16, 2024 “I’m Trying to Come Out from Within”: Forest Claudette Channels Vulnerability & Queer Identity into “Kobe Beef” by Nic Nichols
For the Love of Music
For the Love of Music
