February 8, 2023<March 11, 2023 “More simplified, but more powerful”: Jaime Preciado of Pierce The Veil Unhinges ‘The Jaws of Life’ by Isabella Le
February 8, 2023<February 8, 2023 Premiere: Nashville’s Katie Boeck Makes Peace with the Past in Smoldering Song, “Over Again” by Mitch Mosk
February 8, 2023<February 8, 2023 Today’s Song: Vagabon’s “Carpenter” Captures the Beauty of Growth, Learning, and Complete Understanding by Lauren Turner
February 7, 2023<April 30, 2023 Podcast: Tunes & Tumblers Features Stacey Ryan and a Love Life Story by Atwood Magazine Staff
February 7, 2023<February 7, 2023 Feature: Virginia Sweet’s Debut EP ‘The Revival’ Soars with Feverish, Smoldering Southern Rock Charm by Mitch Mosk
February 7, 2023<February 7, 2023 Feature: Indie Pop Duo Personal Trainer Shine on Cinematic, Evocative, & Cathartic ‘Reflex’ EP by Mitch Mosk
February 7, 2023<February 7, 2023 Track-by-Track: JANNEY Dives into His Smoldering & Cinematic Self-Titled Debut Album by Mitch Mosk
February 7, 2023<February 7, 2023 Today’s Song: Billie Marten Creates a Peaceful Safe Haven in “This Is How We Move” by Minna Abdel-Gawad
February 6, 2023<February 6, 2023 Feature: Patrick James Embraces Self-Reliance on Nostalgic, Autobiographical, & Heartfelt Sophomore LP ‘I’ll Take Care of Myself, If You Take Care of Yourself’ by Mitch Mosk
February 6, 2023<February 6, 2023 Feature: Sydney’s Coconut Cream Shine on Dreamy & Golden EP, ‘What Kind of Music Do You Like to Listen To?’ by Mitch Mosk
February 3, 2023<February 4, 2023 “Cozy, Honest, Imperfect”: SYML Dives into the Raw Depths of ‘The Day My Father Died,’ an Album of Grief & Love by Mitch Mosk
February 3, 2023<February 3, 2023 Feature: Somebody’s Child Soars Triumphant on Urgent, Brutal, & Honest Self-Titled Debut by Mitch Mosk
February 3, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: February 3, 2023 by Atwood Magazine Staff
February 3, 2023<February 2, 2023 Today’s Song: Cal in Red Shift into Gear with “Corvette” Off New EP, ‘On the Dance Floor’ by Beau Hayhoe
February 2, 2023<February 2, 2023 Track-by-Track: Signe Vange’s Softly Stirring, Achingly Raw, & Beautifully ‘Human’ EP by Mitch Mosk
For the Love of Music
For the Love of Music
