August 11, 2021<August 11, 2021 “Nocturnal, Pensive, & Melancholic”: Inside Cots’ Dreamy Debut Album ‘Disturbing Body’ by Mitch Mosk
August 11, 2021<August 13, 2021 Premiere: Bone Slim, Ric Wilson Channel Late Nights & UK Garage in Hypnotic “Let Me Ride” ft. Lcytn by Mitch Mosk
August 11, 2021<March 16, 2023 Today’s Song: Jenn Champion Has Got You All Off-Center, Darling. by Ben Niesen
August 10, 2021<August 10, 2021 Wyse’s “Not That Sorry” Is a Beautifully Unapologetic Upheaval by Mitch Mosk
August 10, 2021<August 17, 2021 To Those Left Standing: Laura Stevenson on Her Self-Titled Album, Trauma, and Making Amends by Mariel Fechik
August 10, 2021<August 10, 2021 “Eclectic, Hopeful, & Feel-Good”: The Wandering Hearts Soar on Stunning Self-Titled Sophomore Album by Mitch Mosk
August 10, 2021<August 10, 2021 Interview with Chet Faker (Nick Murphy): Following Instinct and Finding the Joy in Music by Maggie McHale
August 10, 2021<August 9, 2021 Today’s Song: Leikeli47 Is a Trendsetting Hero on “Attitude” by Kosiso Ugwueze
August 9, 2021<August 9, 2021 Today’s Song: Alexis Marshall Presents an Ominous Atmosphere with “Open Mouth” by Nick Matthopoulos
August 6, 2021<February 6, 2023 Premiere: “The Rat” Leads Us into the Mysterious Universe of Plain Mister Smith by Francesca Rose
August 6, 2021<August 6, 2021 “Forever, Soft, & Brave”: Toronto’s LOONY Is Intimate & Unfiltered in Sophomore EP ‘soft thing’ by Mitch Mosk
August 6, 2021<August 6, 2021 Today’s Song: The Tender & Poignant Heartache of Victoria Dodson’s “Homesick” by Mitch Mosk
August 6, 2021<August 13, 2021 Atwood Magazine’s Weekly Roundup: August 6, 2021 by Atwood Magazine Staff
August 5, 2021<August 5, 2021 Review: Evan Effres Navigates Turmoil with Grace in Catchy, Cathartic “Paradigm Shift” by Mitch Mosk