August 7, 2024<August 7, 2024 Interview: Leeds’ Sunflower Thieves Talk Friendship, “How Was America,” and the Heavy Weight of Ghosts by Mitch Mosk
August 7, 2024<August 7, 2024 “We lost our spark on the FDR”: Melanie MacLaren’s “Get it Back” Aches With the Warm Weight of Love & Grief by Mitch Mosk
August 7, 2024<August 7, 2024 “Earnest, Manic, & Playful”: Montreal’s Aistis Molds Emotional Turmoil into Musical Excellence on ‘Clay’ by Mitch Mosk
August 5, 2024<August 5, 2024 Roundtable Discussion: A Review of Glass Animals’ ‘I Love You So F***ing Much’ by Atwood Magazine Staff
August 5, 2024<August 5, 2024 Premiere: Hamish Anderson’s “You’re Mine” Is a Smoldering Display of Love & Blues Rock Charm by Mitch Mosk
August 5, 2024<August 8, 2024 Atwood Magazine’s Weekly Roundup: August 5, 2024 by Atwood Magazine Staff
August 3, 2024<August 3, 2024 Today’s Song: NYC Band DINHO DINHO Explores Independence & Heartbreak With New Single “Fool for Free” by Ciaran Short
August 2, 2024<August 2, 2024 Today’s Song: Anthemic As Ever, Japandroids Return With Stadium-Level Sound & Finalize Their Legacy on “Chicago” by Kevin Cost
August 2, 2024<August 2, 2024 Track-by-Track: Abby Holliday Invites Us to ‘CRACK A SMILE COME ON STAY A WHILE’ With Her Triumphant & Vulnerable Third Album by Mitch Mosk
August 2, 2024<August 2, 2024 The Japanese House Has Nothing to Hide: Amber Bain on Queerness, Artistry, & Honesty by Madeleine Eggen
6.7 August 2, 2024<August 2, 2024 Our Take: Cut! Maren Morris Slows It Down With New EP ‘Intermission,’ Exploring Identity Through Song by Emily Frances Algar
August 2, 2024<August 2, 2024 “I don’t know how to cry, but I sure know how to bleed”: MESSIAH! Cuts Deep on ‘the villain wins,’ a Warm, Introspective, & Thought-Provoking Triumph by Jake Fewx
August 1, 2024<August 1, 2024 “Hiding in the dark”: Divine Sweater’s Dreamy “Counterparts” & the Power of Companionship by Mitch Mosk
For the Love of Music
For the Love of Music
