June 21, 2024<June 21, 2024 “Love all around you”: Luna Shadows Talks Period Cycles, Reflective Creativity, & Witches for Sophomore LP ‘bathwater’ by Rachel Leong
June 21, 2024<June 23, 2024 “Rebuilding myself as a human being”: James Vincent McMorrow Returns Home with ‘Wide open, horses’ by Nasim Elyasi
June 21, 2024<June 21, 2024 Today’s Song: Lola Young’s Fresh New Single “Messy” Isn’t for You. Perhaps That’s What Makes It So Irresistible by Brian Denney
June 20, 2024<June 20, 2024 Retire the Fences: Brooklyn’s juicer Unleash Waves of Dreamy Indie Rock Wonder in Their Debut Album by Mitch Mosk
June 20, 2024<June 21, 2024 “Battlefield inside my brain”: Sohodolls Premiere “Napoleon Baby,” a Song of Dreams, Drives, and the Seduction of Success by Mitch Mosk
June 20, 2024<June 20, 2024 Album Premiere: Max Blansjaar’s Debut LP ‘False Comforts’ Is a Radical Record of Rebellion, Reckoning, & (Un)Resolve by Mitch Mosk
June 20, 2024<June 20, 2024 Interview: Remaining an Optimist Amidst Dysfunction, viisi Takes Us Inside the Relationship That Inspired New Single “paradise” by Grace Holtzclaw
June 20, 2024<June 20, 2024 Sentimental Jamboree: A Paul McCartney 82nd Birthday Celebration by Aidan Moyer
June 20, 2024<June 19, 2024 “We take pictures so we remember who we are”: NJ’s Joe P Talks Memory, Photography, & His Impassioned Anthem “Birthday Baby” by Mitch Mosk
June 19, 2024<June 19, 2024 “I wanna make you my world”: Pale Waves Capture the Excitement of New Love on “Perfume” by Aaron Childree
June 19, 2024<June 19, 2024 Abe the Kid & drinkabir Team Up to Consider Internal, Global Conflict in “WAR” by Ciaran Short
June 19, 2024<June 19, 2024 Artist to Watch: Brigitte Calls Me Baby Are Unleashed in Dramatic, Existential Anthem “We Were Never Alive” by Mitch Mosk
June 19, 2024<June 18, 2024 “Water, running down my face”: Glass Animals’ Aching, All-Consuming Anthem “A Tear in Space (Airlock)” by Mitch Mosk
June 18, 2024<June 29, 2024 Charli XCX’s ‘brat,’ But It’s a Roundtable Discussion by Atwood Magazine Staff