March 4, 2024<June 20, 2024 “I didn’t expect to be alone this much”: The Gut-Wrenching Vulnerability of bog berries’ Wistful “Nobody Told Me” by Mitch Mosk
March 1, 2024<March 1, 2024 Today’s Song: At a Time in Which No Artist Is Assured an Easy Hit, Wallows Pivot With “Your Apartment” by Noah Wade
March 1, 2024<March 23, 2024 Interview: Everything Everything’s Jonathan Higgins on AI, Education, & New LP ‘Mountainhead’ by Eric Schuster
February 29, 2024<February 27, 2024 Interview: NYC’s Quarters of Change Are Painting Vivid & Gritty ‘Portraits’ in Their Sophomore Album by Minna Abdel-Gawad
February 29, 2024<February 26, 2024 Today’s Song: UK Duo Holy Fool Provides a Warm Thirst and Vulnerability in “Ache” by Chloe Robinson
February 28, 2024<February 28, 2024 “I hope the song encourages people to let each other in”: Francis of Delirium Is a Lighthouse of Love, Support, & Cathartic Indie Rock by Mitch Mosk
February 28, 2024<February 27, 2024 “No shame I’m just a beginner”: Abby Sage Talks ‘The Rot,’ Music Fasts, Theatre Kid Resurrection, and Repurposing Pain into Beauty by Kate Millar
February 28, 2024<February 27, 2024 Finding Freedom in Our Fantasies: An Interview With Bombay Bicycle Club by Nasim Elyasi
February 28, 2024<February 28, 2024 “Can we just rewind back?”: “Stray” Is The Mysterines’ Achingly Intense, Emotionally Charged Alt-Rock Fever Dream by Mitch Mosk
February 27, 2024<February 27, 2024 A Musical Mystic: Maya J Showcases Her Creative Versatility in Latest Single “Chills” by Lauren Hicks
February 26, 2024<February 26, 2024 “Life’s not all bad when I really think”: A Conversation With Sly Jr., Son of Sly by Mitch Mosk
February 26, 2024<February 26, 2024 “How in the world can we go on?”: Trauma, Grief, & the Raw Ache of Linn Koch-Emmery’s “Ebay Armour” by Mitch Mosk
February 26, 2024<February 26, 2024 Love’s Latest News: Brooklyn’s Speedrun Debuts With a Nostalgic, Introspective, & Electric Indie Rock Reverie by Mitch Mosk
February 24, 2024<February 24, 2024 Today’s Song: Kota the Friend Leaves No Room for Greed on “Alabama Hills” by Aidan Mega
February 23, 2024<March 15, 2024 Atwood Magazine’s Weekly Roundup: February 23, 2024 by Atwood Magazine Staff
For the Love of Music
For the Love of Music
