February 4, 2025<February 4, 2025 Today’s Song: Lady Gaga Makes a Spellbinding Return to Dark Pop With “Abracadabra” by Danielle Holian
February 3, 2025<February 3, 2025 Seeing It All: Getting Behind the Lens With NYC Photographer Spencer “Bodega” Katz by Ciaran Short
February 3, 2025<February 3, 2025 Today’s Song: Perfume Genius’ “It’s a Mirror” Offers a Radical & Soul-Stirring Preview of Seventh Album, ‘Glory’ by Bárbara Martínez Campuzano
January 31, 2025<January 31, 2025 Growth, Grief, & Gratitude: Angie McMahon Reflects on Her Intimate Journey from Darkness to ‘Light Sides’ by Mitch Mosk
January 31, 2025<January 31, 2025 Identity, Instinct, and ‘The Human Fear’: A Conversation With Franz Ferdinand by Nasim Elyasi
January 31, 2025<January 31, 2025 “Like Venus from a shell”: “Orlando in Love” Is Japanese Breakfast’s Dreamy, Seductive Siren Song by Marc Maleri
January 30, 2025<January 30, 2025 Heavy, Cathartic, & Saudade: Las Nubes Brave Life’s Storms on Fiery Sophomore LP ‘Tormentas Malsanas’ by Mitch Mosk
January 30, 2025<January 30, 2025 Track-by-Track: Brooklyn’s CIAO MALZ Debuts With ‘Safe Then Sorry,’ an Unrestrained Record of Risks & Rewards by Mitch Mosk
January 30, 2025<January 30, 2025 ‘Nothing Sticks’: Pictoria Vark on Savoring the Moments That Count by Sophie Severs
January 30, 2025<January 30, 2025 Today’s Song: Cian Ducrot Questions “Who’s Making You Feel It” on New Hit by Danielle Holian
January 29, 2025<January 30, 2025 Premiere: Penny and Sparrow’s “Breakdown” Is an Intimate, Honest, & Fun Indie Folk Confessional by Mitch Mosk
January 29, 2025<January 31, 2025 Premiere: The Sweaty, Irresistible Heat of Foley’s “Fever” by Mitch Mosk
January 29, 2025<January 29, 2025 Today’s Song: Lucy Dacus’ “Ankles” Is a Lush Landscape of Yearning by Brianna Corrine
January 28, 2025<January 29, 2025 Atwood Magazine’s Weekly Roundup: January 28, 2025 by Atwood Magazine Staff
For the Love of Music
For the Love of Music
