March 30, 2018<March 30, 2018 Our Take: Haux’s Heartbreaking EP Is Truly ‘Something to Remember’ by Mitch Mosk
March 30, 2018<March 30, 2018 Interview with Kate Nash: Bunny Rabbits, Mental Health, and Finding Confidence by Nicole Almeida
March 30, 2018<March 30, 2018 Atwood Magazine’s Weekly Roundup: March 30, 2018 by Atwood Magazine Staff
March 30, 2018<March 30, 2018 Our Take: The Weeknd’s ‘My Dear Melancholy,’ Marks the Beauty in the Breakup by Kelly Wynne
March 29, 2018<March 29, 2018 Today’s Song: Civil Twilight’s “Holy Dove” is Alt-Rock for the Alt-Righteous by Ilana Kalish
March 29, 2018<March 29, 2018 Premiere: “Got to Believe” in Angela Josephine’s Folk Rock Talent by Josh Weiner
March 29, 2018<March 29, 2018 Our Take: Sophistication Meets Carefree Temperaments on Ravyn Lenae’s Crush EP by Brandon Payano
March 29, 2018<March 29, 2018 Premiere: Scarlet Pleasure Ignite and Indulge in “Deja Vu” by Mitch Mosk
March 29, 2018<March 29, 2018 Premiere: Dwell in the Sultry Surrender of Charles’ “Relax My Mind” by Mitch Mosk
March 29, 2018<March 29, 2018 Track-by-Track: Tiger March Explore Love on Debut ‘Hold Something’ by Mitch Mosk
March 29, 2018<March 29, 2018 Premiere: Girl Blue’s Swirling, Memory-Filled “Lolita” by Mariel Fechik
March 28, 2018<March 28, 2018 Sound Tracks: ‘Call Me By Your Name’ – When Music Becomes the Narrator by Carmen Chan
March 28, 2018<March 29, 2018 Premiere: “Trade My Trips” Is Knox Hamilton’s Ode to the Road by Maggie McHale
March 28, 2018<March 28, 2018 Live: Billie Eilish and her Undeniable Star Quality Wow Philadelphia’s Coda by Nicole Almeida
For the Love of Music
For the Love of Music
